[Instrumental] [Oud and Darbuka begin, Oriental vocals weave in and out - yakusa] riddim dub, rub-a-dub with a solo acoustic guitar piece in a minor key and vintage 1960s reggae, rock steady influences, likely E minor, played at a slow tempo of approximately 72 beats per minute. The guitar features a clean, dry tone with a ethereal trombon under a shamanic vocal jamaique creole. One guitar lee paul Gibson give some notes reggae dub. A big bass compose a great influences rock steady like most actors of this scene A moog is acompanion of this pieces with a roscilliation reverb of hammond organ. An asian flute follow sometimes guitar over offbeat guitar chops. Kora ostinato, ngoni riffs, pipa accents, oud, darbuka, guzheng plucks, erhu glissandi, and violin samples, horn stabs, hip-hop bass drops, and oscillating Asian trombone reverb; 102 BPM halftime groove;The performance is characterized by fingerpicking and arpeggiated chords, creating a melancholic and reflective mood. [Couplet 1 – Réunionnais] Po koï ? Po toi ? Si t’as nous, mi as to Alor là, nouzot’ tous Drrrr… (La-la) – T’y crois ? Pas à pas, pa fé (faut pas) P’tit soleil, léi-léi-lo Lo-léi-lo-léi… [Refrain – Jamaïcain ] San’ l’om (sans l’homme) Di time deh yah (le temps est venu) Fi seh a likkle (petit) ting Kou-kou-kou (Patwa) Ooo-uuu-iiii (dub) Drrr-Ah! (groan) Aaa-iiii-eee (wail) A-la-la-la-la… [Couplet 2 – Réunionnais] Si t’es dans la pa (la peine) Alor, laisse le temps alé (laisser le temps passer) Alé ! (allez !) La-la-lai-eli… [Pont – Jamaïcain] Sun a go laugh (le soleil va rire) No inna yuh face (pas dans ta face) Big up (respect) Jah guide (que Jah te guide) [Outro – Échos Dub] [Voix étirées, delays, reverb] P’tit… soleil… (la-a-a-la) Léi… léi… lo… (fading out) Drrrr… Ahhh… (basse qui grogne) Kou-kou… Ooo-uuu… [ad libs]
