Swiftly Moving Up (Jedi REMIX)

[Intro — quartet, soft vocal percussion, tight 4/4 pulse] (All, whispered groove) doom-ka, doom-ka, tch-ka doom ba-da, ba-da, bom doom-ka, doom-ka, tch-ka doom ba-da, ba-da, bom (Female 1, light and close) doo-ba, dee-ba, doo-ba, day doo-ba, dee-ba, doo (Male 1, low answer) bom-ba, dom-ba, bom-ba, doh bom-ba, dom-ba, bom (All, close harmony swell) ahh — ooh — ahh — mm doo-bah-day [Verse 1 — Male 1 lead, Female 1 answers, dry rhythmic delivery] (Male 1) ba-da bop, ba-da bop dee-yah, dee-yah, doh (Female 1) doo-ba dee, doo-ba dee la-ya, la-ya, lo (Male 1) skit-da dat, skit-da dat bam-ba-da, bam-ba-da (Female 1) hey-ya, hey-ya doo-ba, doo-ba, day (Male 1) bop-bop, ba-doo bop-bop, ba-day (Female 1) shoo-bah, shoo-bah shoo-bah, shoo-bah (Both) day — yah day — yah [Pre-Chorus — quartet builds, syncopated entries] (Male 2, low ostinato) bom, bom-ba-dom bom, bom-ba-dom (Female 2, floating counterline) lee-ya, lee-ya loo-ya, lay (Male 1) dat-da, dat-da dat-da, dah (Female 1) bee-ya, bee-ya bee-ya, bah (All, rising harmony) doo — bah doo — bah doo — bah day [Chorus — full quartet, complex jazz harmonies, tight fusion rhythm] (All, stacked harmony) ba-da ba-da bop ba-da ba-da bop ba-da ba-da bop-bah-day (Female voices high harmony) ree-ya, ree-ya ree-ya, ree-ya (Male voices low harmony) bom-ba, bom-ba dom-ba, dom-ba (All) shoo-bee-doo-bah shoo-bee-day shoo-bee-doo-bah dah (All, bigger harmony) ahh — bah! ahh — day! doo-bah, doo-bah doo-bah-day (Female 1 lead over harmony) zee-ba, zee-ba zee-ba, zee-ba (Male 1 answer) dat-da, dat-da dat-da, dat-da (All) bop! bop! ba-doo-bah-day [Verse 2 — Female 2 lead, Male 2 answers, more playful] (Female 2) la-da dee, la-da dee loo-ba, loo-ba, lay (Male 2) doom-ba dom, doom-ba dom bom-ba, bom-ba, bay (Female 2) skiddle-ee-bah skiddle-ee-day (Male 2) bop-ba-da-bom bop-ba-da-bay (Female 2) doo-ba, dee-ba doo-ba, dah (Male 2) zom-ba, zim-ba zom-ba, zah (Both) hey — ah hey — ah [Bridge — freer fusion section, trading fast but controlled] (Male 1) dat-n-dat, dat-n-dat ba-da-bop-bop-bah (Female 1) zee-n-zee, zee-n-zee la-da-lee-la-lah (Male 2) doom-ka doom-ka doom-ka doom (Female 2) chee-ka chee-ka chee-ka choo (All, interlocking rhythm) dat — dat — doo dat — dat — day bop — bop — bah bop — bop — bay (All, suspended harmony) mm — ahh — ooh — ahh doo-bah-day [Breakdown — vocal bass and breath percussion] (Male 2, vocal bass) doom doom-ba doom doom doom-ba doom (Male 1, percussion syllables) tch-ka, tch-ka ka-tch, ka-tch (Female 1) doo-ba, doo-ba dee-ba, dee-ba (Female 2) lee-ya, lee-ya loo-ya, lay (All, gradual build) doo doo-bah doo-bah-day doo-bah-day [Final Chorus — bigger, brighter, complex harmonies] (All) ba-da ba-da bop ba-da ba-da bop ba-da ba-da bop-bah-day (Female voices) ree-ya, ree-ya ree-ya, ree-ya (Male voices) bom-ba, bom-ba dom-ba, dom-ba (All) shoo-bee-doo-bah shoo-bee-day shoo-bee-doo-bah dah (All, rising) doo-bah, doo-bah doo-bah, doo-bah doo-bah, doo-bah day (All, final tight hit) bop! ba-doo-bah day