
LÁZARO AFTER DARK [Intro — low male voice, smooth and confident] Worked hard for this… [Kick enters] Hard… hard… hard… [Deep bouncing bass begins] Lá… za… ro… Cárdenas… Michoacán. [Short synth pulses — tight, fast, rhythmic] Hey… [HARD RHYTHMIC HITS] Lázaro… [HARD RHYTHMIC HITS] Ah… [HARD RHYTHMIC HITS] Michoacán. [BUILD — bass getting heavier] Worked hard… play harder. [Beat cuts] Pop another. [DROP — HARD BOUNCING TECHNO, NO VOCALS] [Long instrumental — enormous kick, deep bouncing bassline, short addictive synth pulses, glossy club percussion] [Same female voice — seductive, rhythmic, one phrase per beat] Te… gusta… mi… Punchis… Punchis… Punchis… Punchis… Punchis… Punchis… [BEAT CUT — DEAD SILENCE] [CRAZY HARD DROP — massive bouncing bass, warped synth punches, rapid rhythmic stabs, unpredictable futuristic sound design, instrumental only] [Male vocal chop] Cali… [HARD RHYTHMIC HITS] O.C… [HARD RHYTHMIC HITS] Two… [HARD RHYTHMIC HITS] Two… [HARD RHYTHMIC HITS] Orange County. O.C. [SECOND DROP — HARDER, BOUNCIER, NO VOCALS] [Instrumental — bass groove changes, short synth stabs bounce against the kick] Worked hard… [Beat cut] Play harder. [Beat returns] Worked hard… Play harder. [BUILD — chopped vocals become part of the rhythm] Hard… hard… hard… hard… Lázaro… [HARD RHYTHMIC HITS] Cárdenas… [HARD RHYTHMIC HITS] Michoacán… [HARD RHYTHMIC HITS] Ah… [HARD RHYTHMIC HITS] Cali… O.C… [Silence] Don’t count bottles… [Same female voice — whisper] Bring another. [MAIN DROP — MASSIVE BASS, NO VOCALS] [Extended instrumental — hard four-on-the-floor kick, rolling sub bass, bouncing rhythmic synth, sharp percussion, hypnotic vocal chops] [HARD RHYTHMIC HITS] Lázaro… [HARD RHYTHMIC HITS] Ah… [HARD RHYTHMIC HITS] Moviendo el paquete… [BOUNCING VOCAL SOUNDS + HARD SYNTH HITS] Ah… uh… ah… [Beat cut] Producing Benjamins. [Low male voice] Veinteuno… [DEAD SILENCE] [DROP — MASSIVE BOUNCING BASS] [Breakdown — smooth and spacious] California… looking good tonight. O.C… after dark. Lá… za… ro… Cárdenas… Michoacán. [Kick starts building again] Worked hard… Play harder. Worked hard… Play harder. [Beat cut] Pop another. [Same female voice — seductive, closer, one phrase per beat] You… like… my… Punchis… Punchis… Punchis… Punchis… [BEAT CUT — DEAD SILENCE] [HARDEST DROP — enormous bass impact, wild bouncing synth pattern, warped futuristic effects, instrumental only] [HARD RHYTHMIC HITS] Hey… [HARD RHYTHMIC HITS] Lázaro… [HARD RHYTHMIC HITS] Ah… [HARD RHYTHMIC HITS] O.C… [HARD RHYTHMIC HITS] Two… [HARD RHYTHMIC HITS] Two… Orange County. [Beat cut] Moviendo el paquete… [Short silence] Producing Benjamins. [FINAL DROP — HARDEST BOUNCING DROP, NO VOCALS] [Extended instrumental outro — massive kick and bouncing bass gradually strip away] [Low male voice] Lázaro… Cárdenas… Michoacán. [Same female voice — whisper] Cali… O.C… [Short silence] [Low male voice] Veinteuno.

