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Atonal-leaning dissonant instrumental cante jondo/toque gitano-andaluz;ONLY GUITARS, 5/8-7/8-9/8 pivots;solo/duo flamenco guitar;dry close-miked attack;hard transients;zero sustain;wooden body taps;golpe, palmas sordas, palmas claras, nudillos, pitos, zapateado, heel percussion;irregular groove:additive meter, limping pulse, broken ostinato, staggered accents, metric feints, bar-length shifts, stop-start momentum;complex harmonic motion:nonrepeating progression, polychords, slash chords, quartal/quintal voicings, seconds-based harmony, tritone links, chromatic mediants, pedal point, contrary-motion inner voices, false resolutions, remote key slippage, planed dissonance, asymmetric harmonic rhythm, constant reharmonization;polyphonic texture:heterophony, unison splits, layered guitar counterlines, short canonic echoes, interlocking ostinatos;guitarra flamenca, rasgueado, picado, alzapúa, tremolo, falseta, microtonal inflection;staccatissimo, dry, crisp, non-legato, no pads, no ambience, no wash, no bloom, no orchestra(no vocal)