UNCUT [Instrumental Intro - hypnotic chiming plucks, floating melodies, crooked percussion, elastic sub-bass enters unexpectedly] [Verse 1 - silky, syncopated melodic phrasing, playful pitch bends, sparse percussion] You got a mouth full of maybes And a pocket full of nerve Looking sweet as peach preserves With a tongue that leaves a burn You make ābehaveā sound filthy Then you grin like I misheard I donāt need a translation I was hanging on the word [Pre-Chorus - airy ascending melody, detuned harmonies, bass briefly disappears] Thatās a pretty way to put it Almost sounded innocent You can keep the sugar coating I prefer the evidence [Chorus - hypnotic elastic melody, gritty sliding bass, playful rhythmic interruptions, unusual layered harmonies] Uncut, let me get the real thing No pretty little ribbon, no rehearsing Uncut, sweeter with a little sting Funny how the rough parts make it interesting [Post-Chorus - intimate melodic refrain, fragmented percussion, warped plucks answering vocals] Leave it like that Mm, leave it like that No need to smooth it out Leave it like that [Post-Chorus - intimate melodic refrain, fragmented percussion, warped plucks answering vocals] Leave it like that Mm, leave it like that No need to smooth it out Leave it like that [Instrumental Break - rubbery bass mutations, detuned mallet patterns, sudden rhythmic dropouts, syncopated percussion] [Verse 2 - mischievous rhythmic phrasing, unexpected melodic leaps, gritty bass accents] You caught me with my guard down And my best line out of reach Now my cool is sitting crooked With a gap between its teeth I had a clever little comeback But you beat me to the punch Must be something in your timing āCause I donāt give up that much [Pre-Chorus - floating harmonies, shifting percussion, dissonant synth accents] Thatās a pretty way to put it Almost sounded innocent You can keep the sugar coating I prefer the evidence [Chorus - elastic bass groove, crisp broken-beat fills, rich harmonies, unpredictable instrumental accents] Uncut, let me get the real thing No pretty little ribbon, no rehearsing Uncut, sweeter with a little sting Funny how the rough parts make it interesting [Post-Chorus - melodic variations, vocal harmonies weaving through chiming synths] Leave it like that Mm, leave it like that No need to smooth it out Leave it like that [Bridge - crooked bass groove continues, percussion pulls back, sly melodic phrasing] āWatch your mouth,ā you tell me While youāre staring at my lips You put sugar on a warning Then act shocked when I take a sip [Instrumental Break - warped plucks, dirty bass slides, unexpected syncopated drum fill, brief rhythmic silence] [Final Chorus - full hypnotic groove returns, expressive layered vocals, aggressive elastic bass, shifting drum accents] Uncut, let me get the real thing No pretty little ribbon, no rehearsing Uncut, sweeter with a little sting Funny how the rough parts make it interesting [Final Chorus Variation - unexpected percussion breakdown, soaring harmonies, bass groove intensifies] Uncut, let me get the real thing No pretty little ribbon, no rehearsing Uncut, sweeter with a little sting Funny how the rough parts make it interesting [Outro - descending melodies, crooked plucked synths, distorted bass gradually dissolves] Leave it like that Mm, leave it like that Uncutā¦ [Outro - descending melodies, crooked plucked synths, distorted bass gradually dissolves] Leave it like that Mm, leave it like that Uncutā¦ [Extended Instrumental Outro - hypnotic bass and eccentric percussion]
