INTRO — SWEET SING-TALK / PUNCHY R&B] [Warm keys, clipped guitar, tight kick and rimshot. Close, feminine lead. Each question becomes a little more playful.] You ain't even showin' me The love you say you got for me Ain't no loyalty, you lied to me You said that you gon' ride for me Really, really try for me Maybe even die for me Really die, die for me? [Sweet, teasing falsetto. One smooth, descending R&B run.] Ooh, reeeeallyyy? (Maybe you just love to lie to me...) [Short ghost melody] (Ah-na-na, heyyy!) [BASS DROP] [VERSE 1 — FLIRTY / COCKY SING-TALK] [Rolling dancehall bass. Playful, conversational delivery with little melodic lifts at the ends of phrases.] Well, maybe I'm not your speed (Too fast!) Maybe I'm out your league Yuh nuh even have no cheese Maybe mi just too G fi yuh Or maybe mi just too sweet (So sweet...) Yuh seh yuh want a real gyal But yuh cyan handle me Love di way mi wine pon yuh But yuh cyan match mi energy Yuh want somebody down fi ride But yuh nah ride fi me [Soft, incredulous laugh] Even seh, "Gimme yuh baby..." Baby, blasphemy! How yuh talk 'bout loyalty When yuh switch so easily? [PRE-HOOK — SWEET R&B / CONTROLLED MELODY] [Drums pull back. Warm, simple two-part harmonies. Lead becomes more melodic but stays intimate.] If yuh waan leave, just leave (Don't leave me...) But yuh nuh haffi lie to me Even di blind can see Seh yuh nah go ride fi me You ain't even showin' me The love you say you got for me Ain't no loyalty, you lied to me You said that you gon' ride for me [Beat drops out for one count. Sweet, breathy lead.] Baby, that's... [HOOK — FEMININE DANCEHALL / INFECTIOUS BOUNCE] [Full rolling bass and crisp drums. Playful melodic chant with light female doubles.] Blasphemy, blasphemy! Yuh seh yuh waan ride fi me But yuh nah ride fi me Baby, blasphemy! Now yuh moving like yuh nuh know me Love me, love me Why yuh never show me? Yuh seh forever, then yuh leave Baby, baby, blasphemy! (Oh-na-na, heyyy!) [Two-bar instrumental dance bounce.] [CADENCE SWITCH — JESUS PIECE / SASSY PATOIS] [Instrumental strips back to bass, rimshot and guitar. Intimate, slightly irritated sing-talk.] Mi deh pon mi knees like, "Jesus, please" (Oh, Lord...) Him nuh even believe inna Jesus So why yuh have a Jesus piece? (A weh yuh wear dat fi?) Yuh seh yuh love mi, seh yuh need mi But yuh nah practice weh yuh preach All dem promises yuh mek to mi A who yuh think yuh deceive? [Small, sarcastic laugh.] Mmm... baby... Blasphemy! [FINAL HOOK — SWEET BUT SAVAGE] [Full drums and bass return. Wider female harmonies, but the lead remains crisp and upfront.] Blasphemy, blasphemy! Yuh seh yuh waan ride fi me But yuh nah ride fi me (Mi did love yuh...) Baby, blasphemy! Now yuh moving like yuh nuh know me Love me, love me Why yuh never show me? (Why yuh leave me high and dry?) Yuh seh forever, then yuh leave Baby, baby, blasphemy! [Short, sweet descending R&B run on the final syllable.] [OUTRO — FEMININE / FLIRTY SARCASM] [Drums cut. Warm guitar and bass remain. Close, playful lead.] Maybe mi just too G fi yuh Or maybe yuh just too street (Still waan wine pon yuh...) [Sweet, exaggerated falsetto with the signature run.] Ooh, reeeeallyyy? Maybe you just love to lie to me... [Softly, almost laughing] Baby... blasphemy. [Final bass hit.]
