[mix: vocal remains firmly forward against a dense but deliberately sparse instrumental bed; kick, snare and bass form the physical center while the recurring keyboard motif occupies the surrounding space; preserve transient impact and low-register authority without masking diction; effects remain subordinate to the rhythmic pocket] [PCM: 24bit] [Sample Rate: 96k] [LUFS: −9 dense-push] [Harmonics: odd-bite tube-smear] [Saturation: mild-iron parallel-heat] [Transients: sharp-front clipped-micro] [Melodic instrumental] Come to me, my love, Come to me in my tomb, Come to me, my love, Lay with me and feel my doom. [instrumental interlude] Come to me, my love. Come to me in my tomb. Come to me, my love, Lay with me and fill my womb. [break] [instrumental] Come to me, my love, Come to me in my tomb, Come to me, my love, Lay with me and feel my doom. [build] Come to me, my love. Come to me in my tomb. Come to me, my love, Lay with me and fill my womb. [church organ]
