**TINILICKER** **[0:00 — DUB INTRO]** [Kick filtered almost beyond recognition] [Distant dub chord stab] [One isolated Tinilicker hit every four bars] **[0:32 — GROOVE ENTERS]** [Full four-to-the-floor kick] [Sub bass enters] [Shaker tucked deep in the mix] [Tinilicker answers the kick] **[1:04 — FIRST EVOLUTION]** [Humanised congas enter] [SH-101 bass counterline enters] [Dub chord feedback gradually increases] **[1:48 — PERCUSSION LIFT]** [Bongos enter] [Woodblock accents] [Tinilicker becomes shorter and more syncopated] [First distant processed kalimba phrase] **[2:32 — DEEP STRIP]** [Kick disappears] [Long sustained sub notes] [Congas remain] [Dub chord pulses] [Tinilicker isolated in the centre] [Tinilicker hit] [Tape delay feedback] [Echo] [Echo] [Echo] **[2:56 — RETURN]** [Full kick returns] [Sub bass becomes deeper] [Full tribal percussion returns] [Tinilicker gains subtle distortion] **[3:40 — HYPNOTIC PEAK]** [Maximum groove density] [All percussion locked together] [Dub chords widen across stereo field] [Tinilicker mutates every 8 bars] [No conventional EDM drop] **[4:16 — DUB DISSOLVE]** [Elements gradually disappear] [Kick fades] [Bass fades] [Congas fade] [Shakers fade] [Dub chords dissolve into feedback] [Tinilicker remains alone] [One final metallic Tinilicker hit] [Long tape echo] [Silence]
