Echoes Drift Between

[Genre: Ambient Electronic / Binaural Sleep BGM] [Tempo: 48 BPM] [Key: D major] [Structure: Intro – Soft Pad Waves – Gentle Pulsing – Deep Alpha Flow – Outro: Dissolving Echoes] [Instructions: Create a fully instrumental ambient BGM piece with no vocals. The core should be slow electronic pulses — kick, snare, or tap-like sounds — with infinite echo trails that bounce from left to right constantly, creating a feeling of movement across the headspace (use slow stereo panning and feedback delay). Layer with warm ambient pads, granular noise textures, reverse swells, and occasional low sub pulses. All motion should be glacial, nothing sharp or forward. The mix must feel like it’s dissolving into mist, wrapping the listener. Echo feedback should be long and overlapping, reverb tails should be endless. Avoid strong rhythm — let the beat feel accidental, like raindrops echoing in a canyon. Perfect for sleep, floating, or drifting thought.] [Instrument Style: Lo-fi electronic percussion (filtered), ambient pads, slow granular textures, tape delay FX, analog low pulses] [FX Focus: Echo ping-pong delay, stereo panning oscillators, infinite reverb, reverse textures, binaural movement] [INTRO – WHISPERS IN STEREO] [Deep low pad rises with soft static crackle] [Single pulse echoes across left to right, delay trail lingers for 12 seconds] [FLOATING PULSES] [Slow soft beat: filtered kick + electronic click every ~8 seconds] [Each percussive element delays left to right with high feedback] [Background: Warm synth pad breathing in and out] [TEXTURE BUILD] [Add reverse swells and filtered pink noise sweeps that pan slowly] [Sub bass pulse (very soft) every 20 seconds] [DISSOLUTION] [Percussion becomes more spaced, echo trails overlap] [Noise and pads blend into one misty wash] [OUTRO – INFINITE RETURN] [Final soft tap echoes indefinitely into reverb] [No new sound introduced; drift into silence as tails fade] [End: Fade Out]