[STRICT STRUCTURE] [DO NOT ADD OR REWRITE LYRICS] [MINIMAL VOCAL — LET THE MUSIC BREATHE] [PROCESSED MALE VOCAL — COOL, CONTROLLED, MACHINE-SEDUCTIVE] [NO OVER-SINGING] [NO VOCAL GYMNASTICS] [HUMAN MICRO-TIMING] [SLIGHTLY BEHIND THE BEAT] [HOOK RULE — CRITICAL] [TREAT “MOVE LIKE THAT — SO NICE” AS ONE CONTINUOUS SIGNATURE HOOK] [DO NOT SING “SO NICE” AS A SEPARATE RESPONSE] [NO LARGE PAUSE BETWEEN “THAT” AND “SO”] [“MOVE LIKE THAT” = SHORT, CLIPPED, RHYTHMIC, PERCUSSIVE, TENSION-BUILDING] [“SO NICE” = SMOOTHER, MORE MELODIC, SLIGHTLY LONGER, RESOLVING] [KEEP “SO NICE” AT THE SAME VOCAL LEVEL — DO NOT MAKE IT LOUDER] [EMPHASIZE “SO NICE” THROUGH MELODY AND NOTE LENGTH, NOT VOLUME] [ONE GESTURE: RHYTHMIC SETUP → MELODIC RELEASE] [Intro — Instrumental] [16 bars minimum] [four-on-the-floor groove] [syncopated bass] [muted funk guitar] [filtered synth movement] [no lead vocal] [gradual filter opening] [build anticipation] [short transition into vocal] [Chorus] [lead enters clean and close] [leave space around each hook] Move like that — so nice [short instrumental answer] Move like that — so nice You know what you’re doing When you move like that [beat cut — micro silence] Move like that — so nice [subtle double only on final “so nice”] [short filtered delay tail] [Post-Chorus — Instrumental Groove] [full bass groove] [no new lyrics] [let bass and guitar carry the hook rhythm] [sparse filtered vocal chops derived only from existing words] [vocal chop: “move — like — that”] [occasional soft chopped “so nice”] [do not overcrowd] [Verse / Second Vocal Section] [restrained delivery] [keep vocal rhythmic and intimate] Don’t stop now Don’t stop now You know what you’re doing [short pause] Move like that — so nice [Instrumental Break] [extended groove] [no lead vocal] [bass-forward] [muted guitar interplay] [French Touch filter movement] [subtle rhythmic vocal chops] [gradually increase energy] [avoid generic EDM build] [Final Chorus] [strongest groove, not louder vocal] [lead + tight subtle double] [slightly wider vocal image] [keep delivery controlled] Move like that — so nice [short instrumental answer] Move like that — so nice You know what you’re doing When you move like that [HALF-BEAT VACUUM] [kick and bass momentarily disappear] Move like that — so nice [full groove hits immediately after “nice”] [slightly sustain final “nice”] [single tasteful delay throw on final “nice”] [Outro — Extended Groove] [no new lyrics] [DJ-friendly instrumental outro] [bass + guitar groove] [sparse chops from “move like that — so nice”] [gradually filter down]
