[Intro] [solo nylon flamenco motif, long courtyard hall, no drums, suspense, C minor] (distant female hum, breathy, barely audible) [Groove] [darbuka dum-tek and root bass lock, 123 straight, palm-muted guitar, dry room] Ah… ah-ah… (soft, behind the guitar) [Verse] [guitar hook leads, voice answers in gaps, intimate, narrow stereo] Ya ley-la… na-na-ley… (portamento, chest-mix, moderate vibrato) Ah-ah, ya ley… (natural phrasing, open vowels, no words) [Pre-Chorus] [sixteenths tighten, synth-strings rise, hall opens, tension swells] Ley-ya… ley-ya-ah… (melisma climbing, one dynamic swell) Na… na-ah… (closer to the mic, still soft) [Chorus] [peak density, guitar and voice in unison, wider stereo, subtle double] Ya ley-la, ah-ah-ah… (emotional, head-voice ornaments on the top note) Ley-la-ya… na-ley… (delay tail on the last syllable) Ah… (short breath, then hold) [Verse 2] [same hook, voice more forward, pads underneath, still no choir] Ya ley-la… mm-ah… (warmer, slight smile in the tone) Na-na-ley… ya-ah… (slides between notes, controlled vibrato) [Breakdown] [drums drop to dum only, guitar solo curl, voice almost gone, filter opens slowly] (breathy hum, far in the hall) Ah…… (one fragile ornament, then silence for the guitar) [Final Chorus] [tutti, maximum expression, voice doubled only here, strings wide, no shouting] Ya ley-la, ah-ah-ah… (powerful but not belted, natural crack on the peak) Ley-la-ya… na-ley-ah… (layered double, same melody, not a harmony stack) Ya ley-la… (last phrase pushed forward, then release) [Outro] [density falls, percussion fades, guitar motif returns alone, long hall tail] Ah… (residual echo, softer each repeat) (hum fades under the nylon)
