[INTRO: DRY MONO VOCAL, LOWPASS SUB RUMBLE, METALLIC CLICKS, NO FULL DRUMS] [BUILD: DISTORTED VOCAL ENTERS, OCTAVE-DOWN DOUBLE, FORMANT SHIFT] [BEAT DROP: CRISP GLITCH-STEP IDM, SYNCOPATED TRAP KICK, CRUSHING SUB, DIRTY REESE MIDBASS] [MAIN HOOK: HEAVY DISTORTED SCREAMING, RIGID REPETITION, HARD TRANSIENTS] [VOCAL FX: GRANULAR STUTTER, PITCH MODULATION, SHORT REVERSE TAILS] I want your hooooole I will eeeeat your hooooole I want your hooooole I will eeeeat your hooooole [SUB IMPACT: SHORT FM BASS SNARL, HARD GATED VOCAL] I want your hooooole I will eeeeat your hooooole I want your hooooole I will eeeeat your hooooole [CHANT LOOP: DRY MONO VOICE, TIGHT GATING, INCREASING STUTTER DENSITY] [BEAT: BROKEN AMEN FRAGMENTS, MINIMAL TRAP PULSE, PERCUSSION CUTS] Run to mommy Run to mommy Run to mommy Run to mommy [CHANT DOUBLE: LOW OCTAVE, SLIGHTLY DETUNED] Run to mommy Run to mommy Run to mommy Run to mommy [HOOK RETURNS: FULL BREAKBEAT, WIDE DISTORTED VOCAL DOUBLES, PUNCHY SUB] I want your hooooole I will eeeeat your hooooole I want your hooooole I will eeeeat your hooooole [GLITCH FILL: RAPID MICROSTUTTERS, REVERSE VOCAL, DIGITAL FEEDBACK] I want your hooooole I will eeeeat your hooooole I want your hooooole I will eeeeat your hooooole [TRANSITION: KICK CUTS, SUB RUMBLES, VOCAL STRETCHES INTO DISSONANT HARMONY] [SCREAM FX: EXTREME PITCH SHIFT, FORMANT WARP, MULTI-OCTAVE LAYERING] [TWISTED VARIATION: DRAWN-OUT WAIL, ULTRA-DISTORTED, SLOWLY FALLING PITCH] Iiiiiiiiiiiiii wasaaaaasnt yooooouuur hooooole [VOCAL DOUBLE: LOWER OCTAVE, GRANULAR DECAY] Iiiiiiiiiiiiii wasaaaaasnt yooooouuur hooooole [STUTTER ECHO: FRAGMENTS DRIFT LEFT AND RIGHT] Iiiiiiiiiiiiii wasaaaaasnt yooooouuur hooooole [INSTRUMENTAL DROP: DRUMS MUTED, DISSONANT VOCAL CHORD, SUB PULSE] [VOCAL: MULTI-PITCHED, FORMANT-SHIFTED, LONG DECAY] Ooooooooooooooooo [HARMONY: DETUNED OCTAVE STACKS, SLOW PITCH DRIFT] Ooooooooooooooooooooo [REVERSE TAIL: GRANULAR STRETCH, RISING DIGITAL FEEDBACK] Ooooooooooooooooooooooooo [BREAKDOWN: KICK MUTED, METALLIC CLICKS, WHISPERS, FRAGMENTED VOCALS] [BEAT: MINIMAL TRAP HALF-TIME, SPARSE GLITCH PERCUSSION, DEEP SUB PULSE] [VOICE: TAUNTING, DRY, CLOSE-MICROPHONE, ABRUPTLY GATED] [VOCAL FX: ALTERNATING CLEAN WHISPER AND DISTORTED LOW-OCTAVE DOUBLE] Oh you dirty little child [STUTTER: DIRTY / DIR-DIR-DIRTY] Dirty little child Oh you dirty little child Dirty little child [BEAT CUT: ONE DRY CLICK, BRIEF DIGITAL SILENCE] Come here now [LOW OCTAVE DOUBLE] Come here now [WHISPER LAYER: WIDE STEREO, SUBTLE FORMANT SHIFT] Mommy's waiting [REVERSE WHISPER TAIL] Mommy's waiting [CHANT REBUILD: TIGHT GATING, INCREASING PERCUSSION DENSITY] Run to mommy Run to mommy [CHOPPED VOCAL: PITCHED DOWN, RHYTHMICALLY GATED] Run to mommy Run to mommy [BREAKCORE BUILD: RAPID AMEN CHOPS, SYNCOPATED KICKS, GLITCH ROLLS] Run to mommy Run to mommy Run to mommy Run to mommy [FINAL HOOK: FULL SUB IMPACT, DISTORTED SCREAM STACK, CRISP GLITCH-STEP DRUMS] I want your hooooole I will eeeeat your hooooole [BEAT MUTATION: HALF-TIME KICK, RAPID MICROSTUTTERS, BASS SNARL] I want your hooooole… [VOCAL STRETCH: FORMANT DROP, GRAIN FREEZE, REVERSE REVERB] [SUDDEN BREAK: EVERYTHING CUTS EXCEPT THE VOICE] Aaaaargh! [SCREAM: MULTI-OCTAVE DISTORTION, HARD CLIPPING, GRANULAR SHREDDING] [FINAL VOCAL: POLYPHONIC TAPE STOP, PROGRESSIVE PITCH DROP, SLOWING FORMANTS] Iiiiiiiiiiiiii wasaaaaasnt yooooouuur hooooole [ENDING: OVERLAPPING PITCHED VOCAL FRAGMENTS, SUB COLLAPSE, DIGITAL DECAY] [FINAL TAPE STOP: MULTIPLE PITCHES FALL AT DIFFERENT RATES, RHYTHM DECELERATES TO NEAR ZERO] [HARD CUT TO SILENCE]
