Exploitation Dub (Mary Quant Tribute)
Soulful reggae dub: slow hypnotic bass, skanking guitar, live drums, organ riffs, gospel choir, female hums, sound: waves, birds, wind, chatter, reversed vocals, tape loops, distortion, echoing delays
Genre: 1960s psychedelic rock, reggae, dub, bubblegum pop, Subgenre: Space rock, exploitation film grit, Country: British-Jamaican fusion, Vocalist: Female, sultry, commanding, Grace Slick-inspired, gritty dub tone, Music: Harmonic, mystic melody arc, steep modulations (Am-Cmaj7-F#m, Gm-F-Eb-Dm7, Em-D-C-Bm), Countermelodies: Sitar (pentatonic, A-C-D-E), theremin (modal, C-Bb-A-G), Dejaying: Dub bass drops, vinyl scratches, tape stops, reversed loops, Mood: Mystic, rebellious, cosmic, longing, Instruments: Overdriven reggae-rock guitars, fat dub bass, syncopated drums, sitar, theremin, Hammond organ, Effects: Heavy delay, reverb, tape saturation, vinyl crackle, static hums, Mastering: Clean, wide stereo mix, Dolby Atmos vibe, Meta-Coda]
Some of the group-nudity scenes reminded me of (...) talking about establishing “a socialism of the emotions”. -The Guardian
