[Intro — bass and dry drums; warm sung pickup] Where you going? Come here a minute. [Verse 1 — fully sung; relaxed rhythmic phrasing] You were halfway through a story when you caught me watching you. Said, “You haven’t heard a word.” Girl, I heard you. Keep going. Now you’re trying not to smile. I’m trying not to make you. You say I still distract you. Well, somebody has to. [Pre-Chorus — smooth melodic lift] We’ve been running since the morning. Finally got you to myself. Whatever’s waiting on us can wait a little longer now. [Chorus — broad melody; stretch “hurry”] I’m not in a hurry. Not when it comes to you. Let that song play over. We don’t have to move. You still get me leaning closer like there’s something I might miss. I’m not in a hurry. I could get used to this. [Post-Chorus — low melodic self-answer] Even after all this time. Still get used to this. [Verse 2 — playful phrasing; clavinet answers only in gaps] You say, “Now you wanna dance?” Like I didn’t ask last week. I remember how you laughed. You remember both my feet. Go ahead and give me trouble. I’ve been yours long enough. You can tell me I can’t dance. Don’t tell me this ain’t love. [Pre-Chorus — tender chest voice rising into mix] There’s a part of you I only see when the day lets go of you. I love when she comes around. Let me have another minute or two. [Chorus — fuller singing; leave air after each phrase] I’m not in a hurry. Not when it comes to you. Let that song play over. We don’t have to move. You still get me leaning closer like there’s something I might miss. I’m not in a hurry. I could get used to this. [Brief low flugelhorn answer — lead rests] [Bridge — bass and kick continue; exposed melodic vocal] I know we can’t stay up all night. You’ll remind me when we do. Give me till the end of this one. Then I’ll turn it off for you. But if another good one comes on— [Brief held note] that’s on you. [Final Chorus — warm upper mix; selective falsetto self-answers] I’m not in a hurry. Not when it comes to you. Let that song play over. We don’t have to move. You still get me leaning closer like there’s something I might miss. I’m not in a hurry. I could get used to this. [Outro — soft chest voice; bass keeps moving] You were telling me a story. Go on, I’m listening. [Short flugelhorn reply; clean ending]
