[Instrumental Intro — Scotland bagpipe intro; aggressive bass slap; sharp muted guitar licks in 7/8, grouped 2+2+3; no vocals] [Short Refrain — husky female clean voice, narrow haunting melody; bass remains active beneath the sustained syllables] No thaal. No skeld. Saen sa hál. Völd sa kelthun. Kaen sa veyr. [Opening Recitative — rapid female rhythmic rap over bass and sparse percussion; low smoky chest register, coarse rasp, precise consonants, short breaths; double-time phrasing within the uneven groove] Kald járn sa thae, naevora thaal sa hál, thu kaeritha torven da no shaelira saen. Veyr orvanna sa krenn, myr velthira kauren, kaen a thu no kaeritha völd a thu. Haerven ren osh sa nátt, en ren maeritha kelrun, en ren no maeritha kaelith a im. Thu ren khaemira thessun sa næveth, en ren shaelira kelvir sa dhaerun a thu. No dhaeruna skeld, no kaeritha járn, neshira thren a nareth sa velthir a en. Ke thu kaeritha thaal, ke thaal kaervitha thu, ke saen a en ul kraeshira torven? [Sudden Reduction — percussion stops; one ringing bass harmonic remains] [Verse 1 — intimate low female clean singing, dark chest resonance and vocal creak; spacious melodic bass, muted guitar and a restrained broken beat] Glýr sa graal, vaer draen sa thessir. Nætþel neshira hrá dhaerun. Thu þrýska nareth sa morvitha hál. Nareth a thu no vaelritha en. Aelruna kauren kaeritha maerith. Krenna thaen no kaeritha saen. Thessir a thu — aeshara sa naal. Thessir a en — thren sa kelthun. [Short Refrain — husky female clean voice, narrow haunting melody; bass remains active beneath the sustained syllables] No thaal. No skeld. Saen sa hál. Völd sa kelthun. Kaen sa veyr. [Verse 2 — soft female clean voice enters over the returning bass motif; dry 7/8 drums gradually rebuild, brief Scotland bagpipe notes answer the line endings] Torven ren hravika sa kald kauren. Myr ren orruna sa naevora hál. Drel a em dhaelvanna hrá veldrith. Veyr veyritha thessir a thu. En no dhaeruna thaal sa draeven. En no kaeritha vaer skeldra. Kelrun a em no nævitha maerith. Em hljóðra sa ór, em no draunetha. [Extended Bass Solo — melodic electric bass takes the foreground; fluid fingerstyle runs, ringing harmonics, double-stops and aggressive slap variations over dry asymmetric drums; restrained industrial glitches, no lead guitar solo] [The bass solo ends on a clipped harmonic; all sound stops] [Four isolated industrial alarm blasts — evenly spaced with clear gaps, no accompaniment] [Unaccompanied Refrain — low female clean voice, quieter and more deliberate than before] No thaal. No skeld. Saen sa hál. Völd sa kelthun. Kaen sa veyr. [Final Climax — full-band entrance in heavy 7/8; intricate bass guitar stays prominent beneath downtuned guitar accents and hard drums; powerful husky female clean lead with deep female growl responses] Thaal sa vorn! Haerven sa veld! En no þrýska. En kelvara! [One cutting female scream over a sharp full-band stop] Orritha! [Instrumental Outro — Scotland bagpipe and electric bass repeats the opening figure with wider pauses] [Hard Cut — all remaining sound stops]
