INTRO — 4 bars (instrumental: euphoric reverse-bass swell builds across all 4 bars, rising pitch and tension, no drums yet — pure anticipation) VERSE 1 — 8 bars (Male) Type it in, execute, there's no turning back now Every line I write becomes the only way out Command the room before the room commands you System's mine to run, I don't ask, I just do VERSE 1B — response, 4 bars (Female) I don't need the sync, I run on my own clock Feed it to the system, watch the whole thing drop Euphoric on the buildup, waiting for the break Command line open — I'm the one who takes DROP / HOOK (robotic vocal stabs, vocoded — not sung, cuts through the distorted kick) COMMAND — LINE — EXECUTE COMMAND — LINE — OVERRIDE (repeats, stabbing on the distorted kick hits, both voices' timbres blended into one processed stab) VERSE 2 — 8 bars (Female, lead) Reverse the bass, reverse the doubt, reverse the fear Everything builds to a drop that's already here I don't wait for permission, I just type and send Command line running till the euphoria don't end VERSE 2B — response, 4 bars (Male) Distorted kick hitting like a system-wide command Two voices, one console, the whole thing planned We don't split the power, we just amplify the call Command line open — we run it, we run it all DROP / HOOK (robotic vocal stabs) COMMAND — LINE — EXECUTE COMMAND — LINE — OVERRIDE BRIDGE — 4 bars (trade one line each, building tension for final drop) (Male) Reverse the bass, hold it right there— (Female) Let it go — euphoric in the air— OUTRO (instrumental: final distorted kick drop hits hardest yet, robotic vocal stab repeats and pitches up rapidly, then cuts to a single sustained rave stab — ends on the peak, not a fade)
