Bad Influence [ED Remix]

[Intro | dry hand percussion, filtered rubbery bass | female contralto, cocky spoken delivery] Uh-huh. See you looking. Come get some. [Verse 1 | explosive full-bass entrance | continuous syncopated flow, alternating sharp plosive attacks and rolling conversational phrases | hard B, P, D, K accents on selected downbeats, fluid connective syllables, elastic swing] Walk in hot, got the whole damn place packed Bass hit my back, made the bartender duck Caught him checking my reflection in the glass Boy, keep looking, I'm just getting warmed up Dip past, quick glance, caught him off guard Gold chain swinging while he posted by the bar He got that big talk, slick walk, looking real flashy I brushed past his shoulder, heard him call me sassy Left, right, hips don't lie Caught dat smile from the corner of my eye He stepped in close, tried to cut me off I dipped right past him, left him looking lost Big grin, tapped his chest, pulled him back One little spin, got him caught in the act He came to play, now he stuck on my track Baby, keep up if you want some of that [Hook | infectious rhythmic chant, playful call-and-response | aggressive bass bounce, layered backing vocals] Bad influence! (Who, me?) You want trouble? (Come see!) Move that body, don't tease! Get down, get loose, get free! [Verse 2 | sustained rapid rhythmic delivery, rolling internal rhymes, elastic syncopation, sharp articulation | driving bass and percussion, uninterrupted forward momentum] Gold chain swinging, caught him mid-spin Slick grin, quick spin, pulled him right in Quick step, slick sweat, hips on a swivel Low dip, lip bite, got him caught in the middle Wicked little twist, got him slipping out of position Caught him looking, switched the rhythm, left him missing the transition One look, one touch, got him losing his cool Damn, boy, who's playing who? [Break | drums stop, bass bends downward | amused spoken delivery] Oh, you bad bad. [One-beat silence] That's cute. [Instrumental Dance Break | eight bars | interlocking South African percussion, elastic bass riff, warped Rhodes stabs | syncopated drum fills, bass-led groove] [Hook | stronger rhythmic responses, layered backing vocals, harder kick] Bad influence! (Who, me?) You want trouble? (Come see!) Move that body, don't tease! Get down, get loose, get free! [Verse 3 | rhythmic melodic hip-hop, sly vocal slides, teasing confidence | driving bass, punchy percussion] Ooh, you got a wicked little way about you Whole damn night, been thinking about you Came here wild, had a plan worked out Now you got me changing what I planned out Hey! Don't stop moving like that Got your hands on my waist, pulling me right back You want a little trouble, I can handle all that But you got that look— Boy, I might just bite back [Bridge | bouncy melodic call-and-response | bass and hand percussion] You bad for me (So bad!) I know, I know (That's right!) You got that something (Uh-huh!) And I want some more (Come on!) [Final Hook | maximal percussion, stacked female harmonies, rhythmic chanting, playful overlapping ad-libs] Bad influence! (Who, me?) You want trouble? (Come see!) Move that body, don't tease! Get down, get loose, get free! Bad influence! (Oh, yeah!) Got you acting up (Hell, yeah!) Thought you came to start something— Baby, I already did! [Outro | stripped psychedelic funk groove | close-mic female contralto, amused] Mm. He came here thinking he was trouble. That's adorable. [Hard rhythmic stop | one final rubbery bass bend]