[Hook — 8 bars: low deadpan half-chanted melody over sparse beat — only clock hats, sub bass and one felt-piano note looping; pitched-down whisper doubles every line; a half-word vocal fragment answers at the end of bars 2 and 6] In my mind... (in my mind...) You can find... (you can find...) Another world for you [Tape Splice — 1 bar: hard jump-cut, burst of shortwave static, everything drops] You go up You go up You go down You go down You go up You go up You go down You go down [Beat Drop — 4 bars instrumental: full collage groove locks in — door-slam kick, branch-snap snare, projector-sprocket hats, off-kilter prepared piano loop, warm sub anchoring underneath] In my mind... (in my mind...) You can find... (you can find...) Another world for you Living in the dark [Verse 1 — 16 bars: cold menacing delivery, dense beat; spliced human breath fragments fill the gaps between lines; a reversed tape whoosh rises at the end of every 4th bar; on bars 15–16 the piano loop cuts out leaving only drums and sub] You go up You go up You go down You go down You go up You go up You go down You go down [Hook — 8 bars: fuller than before — snare joins on the 3, shortwave sweeps swell under the vocal, whisper double pans hard right; last line gets a stutter-edit chop on the final word] In my mind... (in my mind...) You can find... (you can find...) Another world for you Living in the dark [Reversed Section — 4 bars: hard tape splice into fully reversed material — drums inside-out, piano loop played backwards, a reversed breath inhale on every downbeat; sub bass is the only element still moving forward] You go up You go up You go down You go down You go up You go up You go down You go down [Verse 2 — 16 bars: softer reflective delivery, warmer texture; drum palette swaps — projector sprockets now drive the rhythm instead of the clock, snare replaced by a softer static-dusted snap; felt-piano loop re-pitched up and slowed, almost tender; whispered doubles on bars 4, 8 and 12; stutter-edit chops on the last word of each 4-bar block] You go up You go up You go down You go down You go up You go up You go down You go down [Breakdown — 8 bars: everything cuts to one looping found sound — a creaking hinge keeping the rhythm alone for 4 bars; then the ticking clock returns, then the sub fades in low; a half-word vocal fragment repeats like a skipping record, slowly drowning in tape hiss]
