[Instrumental intro — preserve uploaded guide, sparse broken electronics, low-passed pulse, damaged percussion, no vocal yet] [Bars 1–25 — restrained close vocal, almost conversational, long gaps between phrases] Keep still let me look at you keep your head where it is just for a minute there’s a mark on the wall about the height of your face I know that look I know the way it goes I thought I could be you did you lose your memory too [phrase widens slightly, first identity refrain] the only me is me are you sure the only you is you? [Bars 26–55 — same centered vocal, slightly more pressure, broken drums more present, do not become louder or anthemic] Don’t turn away I need another minute your hands look familiar mine don’t stay close just until I get this right I know the way you move but I don’t know where you go [vocal firms, little or no harmony] I’ll put you on your knees and shoot whatever’s left of me [brief space] the only me is me are you sure the only you came through [Bars 56–75 — arrangement thins again, vocal becomes less certain, phrases allowed to fall across the five-bar cycle] they put the sky back up today so grab your blade and stand inside of me I’m me you’re you I used to be so sure now I see right through [Bars 76–100 — vocal begins fragmenting, restrained processing grows stranger, selective late doubles and formant-preserved ghosts] I can’t place your face but I know where to aim [long space] the only me are you sure the only you [final phrase stretched, repeated syllables may overlap and drift out of alignment] is you is me is you is me [voice fragments into late doubles and clipped repetitions] is you is me you is me [allow the final words to dissolve into the instrumental ending, no new lyrics]
