
Bass is Me!
[Intro, Acid 303 Synth Squelch & Skittering Snares] Yeah, that bass is me. Catch the glitch, watch it breathe. Yeah, that bass is me. [Verse 1, Close Conversational Male Rap] Neon flash, Tokyo drift, Bitrate high, dimensional shift. Kore wa heavy, shindou yabai, Bassline sub ga ten made todoku! Mada mada mada, speed up the flow, Shibuya underground, ready to go. Yeah, that bass is me, lost in the frequency. [Chorus, Pitch-Shifted Layers, Call-And-Response] (Bass is me!) — Yeah, that bass is me! (Atsui breakdown!) — Hit the street! (Bass is me!) — Yeah, that bass is me! (Do the footwork!) — Move your feet! [Acid Drop, Sudden Filter Cuts & Vocal Chops Percussive Riff] [Fast Resonant 303 Bassline Solo, Rubbery Sub Bass Kick] [No Main Vocals, Glitchy Audio Stabs] [Verse 2, Close Conversational Male Rap] One, two, system load, Enter the matrix code. Oto ga natteru, kabe ga yureru, Kono vibe dake wa daremo tomerenai! Step left, step right, we own the night, Leaving a permanent mark in the dark. [Breakdown, Acid Ambient Arpeggio & Woozy Pads] [Vocal Chops Loop: "Bass is me... Bass is me..."] Koko wa safe? Koko wa dark? Laser beams hit the mark. [Build-up, Rising Snare Roll & Acid Cutoff Filter Opening] Three, two, one, bounce! [Main Drop, Maximum Acid Energy] [Screaming 303 Synth Line & Heavy Sub Bass] [Chopped Vocal Stabs Flips the Hook] [Verse 3, Aggressive Whisper Rap] Kura kura suru hodo bass ga bafuku, Digital cyber, rhythm ga hashiru. Yeah, that bass is me. Kore ga real, tsuite koれる? [Outro, Acid Synth Outro Solo Fading Into Sub Bass] Yeah, that bass is me... Static spark... [Fade Out]

