[INTRO - Retro Clean] [Doo-wop harmonies, clean 50s style] [Vocal sweet, innocent] Doo-wop-a-doo-wop— Sha-bop-sha-bop— [Harmonies perfect, vintage] Doo-wop-a-doo-wop— [Glitch enters subtly] Sha-b-b-b— [VERSE 1] [Retro beat, clean but building] [Vocal sweet delivery] I woke up to static— [Doo-wop backup: static—static—] Where my radio used to play— [Harmonies: play—ay—ay—] The oldies station's corrupted— [Glitch hit soft] In a digital way— [Bass pulse enters] Who put the glitch— [Harmonies: glitch—glitch—glitch—] In the doo-wop-sha-bop— [Retro beat] Who coded the skip— [Backup: skip—skip—] That makes the record hop? [Glitch building] [PRE-CHORUS] [Building energy, glitch more present] I remember when— [Harmonies sweet] The music was pure— [Glitch] Before the digital— [Bass deeper] Became the cure— [Building] [CHORUS 1 - Sweet Turns Dark] [Doo-wop meets bass drop] [Vocal starts sweet, ends distorted] Who put the glitch in the sha-na-na-na— [Bass drops moderate] Who put the skip in the doo-wop-bop— [Glitch corruption spreading] (backup harmonies warping: bop—bop—b-b-bop—) Who took the sweet— [Bass wobble enters] And made it stop—stop—stop— [Glitch stutter] [VERSE 2] [Beat returns retro but darker] [Vocal nostalgic but knowing] Johnny and Mary at the soda shop— [Harmonies: shop—shop—] Dancing to the jukebox glow— [Retro energy] But the vinyl's scratching binary— [Glitch hit] And the bass drops low— [Bass pulse heavy] The harmonies are perfect— [Sweet backup: perfect—fect—fect—] But something's not quite right— [Glitch building] There's static in the chorus— [Harmonies glitching] Digital in the night— [Bass deeper] [PRE-CHORUS 2] [Building faster, corruption spreading] We danced to records— [Harmonies struggling] Now we stream the code— [Glitch more] The oldies are corrupted— [Bass rising] On this digital road— [Drop coming] [CHORUS 2 - Fully Corrupted] [Doo-wop completely twisted] [Bass drops HARD, harmonies glitching] Who put the glitch in the sha-na-na-na— [Bass wobbling chaos] Who put the skip in the doo-wop-bop— [Glitch storm] (backup: b-b-b-bop—erro-erro-error—) Who took the sweet— [Bass earthquake] And let it DROP—DROP—DROP— [Massive glitch corruption] [BRIDGE - Time Collapse] [Beat switches, retro and modern fighting] [Vocal layered: sweet + distorted] They said the fifties— [Retro harmony] Were simpler times— [Glitch interrupt] But now the past— [Bass pulse] Is full of digital crimes— [Glitch accelerating] The jukebox is hacked— [Harmonies: hacked—acked—acked—] The records won't play— [Glitch] Just fragments of melodies— [Bass building] From yesterday— [Everything rising] Doo-wop-a-glitch-glitch— [Corruption spreading] Sha-bop-erro-error— [Bass swelling] The analog's dying— [Glitch chaos] Digital's the bearer— [Drop building] [FINAL CHORUS - Complete Corruption] [Full chaos: retro meets industrial] [Vocal fighting between sweet and distorted] WHO PUT THE GLITCH IN THE SHA-NA-NA— [Bass obliteration] WHO PUT THE SKIP IN THE DOO-WOP-BOP— [Glitch apocalypse] (backup screaming harmonies: CORRUPTED—CORRUPTED—) WHO TOOK THE SWEET— [Bass earthquake maximum] AND MADE IT— [Everything glitching] DROP—DROP—DROP—DROP— [Final massive hit] [BREAKDOWN - Nostalgic Ghost] [Suddenly minimal, just vinyl crackle] [Vocal whispered, haunted] Remember when— [Crackle] The music was real— [Faint harmony ghost] Before the glitch— [Bass pulse soft] Changed how we feel— [Glitch whisper] Doo-wop... [Fade] Sha-bop... [Crackle] Err-or... [Final glitch] [OUTRO - Corrupted Fade] [Retro harmonies trying to return] [But glitching, corrupting, dying] Doo-wop-a-doo-wop— [Glitch interrupt] Sha-bop—err-err— [Bass pulse fading] The oldies are gone— [Harmonies corrupted] Just digital—wherever— [Final glitch] [Vinyl scratch] [Silence]
