[Vocal character: intimate androgynous lead, clear yet softly textured, with seamless register transitions. Preserve the same gender-ambiguous timbre in exposed phrases, full-voice peaks and layered harmonies.] [Verse] [Intimate androgynous lead voice, legato but wary. Two piano notes answer each other across the stereo field; porcelain taps stay irregular.] I'm feelin' the way that I'm feelin' I'm feelin' with you [Bowed vibraphone enters like a blurred reflection; a very quiet vocal double shadows the lead.] I'm starin' at the girl in the mirror She talkin' to me too [Chorus] [Open into wide sustained guitars, warm bass and resonant toms. Lead becomes urgent; stacked harmonies emphasize the emotional arrival.] Yeah I can see it in your face You ain't no safe place You're gone and you've gone and replaced me And we're all the same [Verse 2] [Drop to piano, cello harmonics and one low pulse. Delivery more searching; build toward the last line.] I've been Watchin' you thinkin' of ways that I could use you [Drop the vocal double. Low cellos descend while the isolated lead grows firmer.] Someone's taken my place The world's about to change [Chorus] [Restore the full ensemble with a higher harmony and stronger tom accents.] Yeah I can see it in your face You ain't no safe place You're gone and you've gone and replaced me And we're all the same [Bridge] [Almost unaccompanied androgynous lead voice confession. Harp harmonics and bowed vibraphone suspend time; strings slowly rise.] (And) I say [One breath of silence, then deliver the introduction softly; let the harp open into a high harmonic.] Hello My name is human And I came down from the stars [Final Chorus] [Largest release. Let successive repetitions move from solo lead to a wide communal harmony, then strip away to an exposed voice.] Yeah I can see it in your face You ain't no safe place You're gone and you've gone and replaced me [Across these four lines, move from solo lead to a unison double, then full harmony, then exposed solo over the fading chord.] And we're all the same And we're all the same And we're all the same And we're all the same [Outro] [Instrumental porcelain decay and one unresolved cello harmonic.]
