La Otra ft. Poison Lilly [Blackline Audio]

Latin reggaeton metal, dark urbano metal, gothic Latin metal, bachata guitar accents

///*****///

[Start]

[Intro - quick spoken female vocal, dark bachata guitar, low dembow, distant guitar feedback]
¿La otra, dices?
<The other woman, you say?>

No, I'm the one you lost

Me llaman Poison Lilly
<They call me Poison Lilly>

And betrayal comes with a cost

[Verse 1 - sultry female vocal, reggaeton groove, restrained palm-muted 7-string guitar]
You called me wicked, dripping in sin
Then crawled back, every time you wanted in
Said I was too devious, too dark, too deep
But you drank from my well,  just to fall asleep

You were dancing with somebody, who wasn't me
Her hands on your chest, where mine used to be
You saw me there, your face turned a shade of  white
Baby, you thought yourself in heaven, but you'll catch hell tonight

[Pre-Chorus - tension rising, timbales building, bachata guitar answering vocal, distorted guitars swelling]
You dismissed me
Then you kissed me
Then you left me there in the dark

Now you miss me
Now you need me
But that won't get you very far

[Chorus - explosive reggaeton metal, heavy 7-string guitars wide, dembow still driving, belted female vocal]
No soy la otra
<I’m not the other woman>

No soy tu error
<I’m not your mistake>

Soy la verdad

Que desnuda nuestro amor
<That lays bare our love>

No soy la santa
<I’m not the saint>

Que se muere por ti
<Who would die for you / who is desperate for you>

Soy el veneno

Que corre en ti
<That runs through you>

Baila, baila con tu mentira
<Dance, dance with your lie>

Dile que ya estás bien
<Tell her you’re fine now>

Baila, baila mientras te mira
<Dance, dance while she watches you>

Pero me sueñas también
<But you dream of me too>

[Post-Chorus - venomous female hook, syncopated guitar chugs, congas and sub bass]
Veneno, veneno
<Poison, poison>

You hold her close, but your body’s a liar

Veneno, veneno
<Poison, poison>

Your lips confess it: I’m still your desire

[Verse 2 - darker vocal bite, Latin urbano groove, palm-muted metal riff underneath]
You said I was trouble, said I was so cruel
But I wasn’t the one breaking every rule
You hid your hunger behind good intentions
Now you want absolution from your confession

I fell silent, never made a sound
You begged for my love, but your words made you drown
You reached for my wrist, tried to call out my name
Too late, cariño, you played the wrong game.
<Too late, darling, you played the wrong game.>

[Pre-Chorus 2 - stronger percussion build, metal drums layered under dembow, vocal rasp increasing]
You dismissed me
Then replaced me
Then tried to come clean

Tried to erase me
Now you chase me
But now I'm just a bad dream

[Chorus - bigger reggaeton metal, belted hook, distorted guitars slamming, Latin percussion upfront]
No soy la otra
<I’m not the other woman>

No soy tu error
<I’m not your mistake>

Soy la verdad

Que desnuda nuestro amor
<That lays bare our love>

No soy la santa
<I’m not the saint>

Que se muere por ti
<Who would die for you / who is desperate for you>

Soy el veneno

Que corre en ti
<That runs through you>

Baila, baila con tu mentira
<Dance, dance with your lie>

Dile que ya estás bien
<Tell her you’re fine now>

Baila, baila mientras te mira
<Dance, dance while she watches you>

Pero me sueñas también
<But you dream of me too>

[Breakdown - half-time metal breakdown, dembow percussion underneath, aggressive female rasp, syncopated guitar chugs]
You want nice
You want easy
You want kind
But really want sleazy

You want worship
You want control
You want me back
But I'm not yours to hold

[Bridge - whispered Spanish vocal, bachata guitar returns, dark cinematic break]
No me toques
<Don’t touch me>

No me llames
<Don’t call me>

Me voy y no vuelvo más
<I’m leaving and I’m not coming back anymore>

Fui tu mujer

Fui tu mundo

Y no me verás jamás
<And you will never see me again>

[Bridge 2 - rising metal build, toms, timbales, distorted guitar feedback]
Ahora baila con ella
<Now dance with her>

Aunque no te crea más
<Even though she doesn’t believe you anymore>

Dile que eres de ella
<Tell her you belong to her>

Mientras miras hacia atrás
<While you keep looking back>

[Final Chorus - full Latin metal power, layered Spanish and English vocals, huge guitars, dembow locked in]
No soy la otra
<I’m not the other woman>

No soy tu error
<I’m not your mistake>

Soy la verdad

Que desnuda nuestro amor
<That lays bare our love>

No soy la santa
<I’m not the saint>

Que se muere por ti
<Who would die for you / who is desperate for you>

Soy el veneno

Que corre en ti
<That runs through you>

Baila, baila con tu mentira
<Dance, dance with your lie>

Dile que ya estás bien
<Tell her you’re fine now>

Baila, baila mientras te mira
<Dance, dance while she watches you>

Pero me sueñas también
<But you dream of me too>

[Post-Chorus - venomous female hook, syncopated guitar chugs, congas and sub bass]
Veneno, veneno
<Poison, poison>

You held her close, but spoke my name

Veneno, veneno
<Poison, poison>

Now you're alone, she quit playing your game

[Outro - whispered female vocal, bachata guitar fading, low dembow]
¿La otra?
<The other woman?>

No.

Nos perdiste a las dos.
<You lost us both.>

[End]

5279/7500

///*****/// [Start] [Intro - quick spoken female vocal, dark bachata guitar, low dembow, distant guitar feedback] ¿La otra, dices? <The other woman, you say?> No, I'm the one you lost Me llaman Poison Lilly <They call me Poison Lilly> And betrayal comes with a cost [Verse 1 - sultry female vocal, reggaeton groove, restrained palm-muted 7-string guitar] You called me wicked, dripping in sin Then crawled back, every time you wanted in Said I was too devious, too dark, too deep But you drank from my well, just to fall asleep You were dancing with somebody, who wasn't me Her hands on your chest, where mine used to be You saw me there, your face turned a shade of white Baby, you thought yourself in heaven, but you'll catch hell tonight [Pre-Chorus - tension rising, timbales building, bachata guitar answering vocal, distorted guitars swelling] You dismissed me Then you kissed me Then you left me there in the dark Now you miss me Now you need me But that won't get you very far [Chorus - explosive reggaeton metal, heavy 7-string guitars wide, dembow still driving, belted female vocal] No soy la otra <I’m not the other woman> No soy tu error <I’m not your mistake> Soy la verdad Que desnuda nuestro amor <That lays bare our love> No soy la santa <I’m not the saint> Que se muere por ti <Who would die for you / who is desperate for you> Soy el veneno Que corre en ti <That runs through you> Baila, baila con tu mentira <Dance, dance with your lie> Dile que ya estás bien <Tell her you’re fine now> Baila, baila mientras te mira <Dance, dance while she watches you> Pero me sueñas también <But you dream of me too> [Post-Chorus - venomous female hook, syncopated guitar chugs, congas and sub bass] Veneno, veneno <Poison, poison> You hold her close, but your body’s a liar Veneno, veneno <Poison, poison> Your lips confess it: I’m still your desire [Verse 2 - darker vocal bite, Latin urbano groove, palm-muted metal riff underneath] You said I was trouble, said I was so cruel But I wasn’t the one breaking every rule You hid your hunger behind good intentions Now you want absolution from your confession I fell silent, never made a sound You begged for my love, but your words made you drown You reached for my wrist, tried to call out my name Too late, cariño, you played the wrong game. <Too late, darling, you played the wrong game.> [Pre-Chorus 2 - stronger percussion build, metal drums layered under dembow, vocal rasp increasing] You dismissed me Then replaced me Then tried to come clean Tried to erase me Now you chase me But now I'm just a bad dream [Chorus - bigger reggaeton metal, belted hook, distorted guitars slamming, Latin percussion upfront] No soy la otra <I’m not the other woman> No soy tu error <I’m not your mistake> Soy la verdad Que desnuda nuestro amor <That lays bare our love> No soy la santa <I’m not the saint> Que se muere por ti <Who would die for you / who is desperate for you> Soy el veneno Que corre en ti <That runs through you> Baila, baila con tu mentira <Dance, dance with your lie> Dile que ya estás bien <Tell her you’re fine now> Baila, baila mientras te mira <Dance, dance while she watches you> Pero me sueñas también <But you dream of me too> [Breakdown - half-time metal breakdown, dembow percussion underneath, aggressive female rasp, syncopated guitar chugs] You want nice You want easy You want kind But really want sleazy You want worship You want control You want me back But I'm not yours to hold [Bridge - whispered Spanish vocal, bachata guitar returns, dark cinematic break] No me toques <Don’t touch me> No me llames <Don’t call me> Me voy y no vuelvo más <I’m leaving and I’m not coming back anymore> Fui tu mujer Fui tu mundo Y no me verás jamás <And you will never see me again> [Bridge 2 - rising metal build, toms, timbales, distorted guitar feedback] Ahora baila con ella <Now dance with her> Aunque no te crea más <Even though she doesn’t believe you anymore> Dile que eres de ella <Tell her you belong to her> Mientras miras hacia atrás <While you keep looking back> [Final Chorus - full Latin metal power, layered Spanish and English vocals, huge guitars, dembow locked in] No soy la otra <I’m not the other woman> No soy tu error <I’m not your mistake> Soy la verdad Que desnuda nuestro amor <That lays bare our love> No soy la santa <I’m not the saint> Que se muere por ti <Who would die for you / who is desperate for you> Soy el veneno Que corre en ti <That runs through you> Baila, baila con tu mentira <Dance, dance with your lie> Dile que ya estás bien <Tell her you’re fine now> Baila, baila mientras te mira <Dance, dance while she watches you> Pero me sueñas también <But you dream of me too> [Post-Chorus - venomous female hook, syncopated guitar chugs, congas and sub bass] Veneno, veneno <Poison, poison> You held her close, but spoke my name Veneno, veneno <Poison, poison> Now you're alone, she quit playing your game [Outro - whispered female vocal, bachata guitar fading, low dembow] ¿La otra? <The other woman?> No. Nos perdiste a las dos. <You lost us both.> [End]

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