©️2026 Mamachogo Created with Suno AI Lyrics & arrangement by Mamachogo [Intro — Vintage Showa kayō organ, finger snaps, restrained gospel groove] [Spatial: Organ wide stereo, finger snaps alternating L/R, whispered choir far left and right, center kept clear] [Female Choir — whispered, scattered across stereo] もういいかい…… （アーメン……） まあだだよ…… （ハレルヤ……） [Verse 1 — Female Lead Vocal, dramatic Showa kayō phrasing] [Spatial: Lead vocal close and dry in center, subtle double tracking on phrase endings, choir distant and low in stereo] あなたのうしろに 隠れたら 神様だって 気づかない 白いヴェールを 揺らしながら 恋の罪なら 数えない 十まで数えて 振り向いて 見つけた人から 告白よ あの人の名前を 言うたびに ロザリオひとつ 揺れている [Pre-Chorus — Lead vocal with tight three-part female choir] [Spatial: Lead centered, choir harmonies spread L/C/R, handclaps gradually moving from sides toward center] [Female Lead Vocal] ひとつ ふたつ みっつの嘘 [Female Choir] よっつ いつつ 恋心 [Female Lead Vocal] 鬼さんこちら 手の鳴るほうへ [Female Choir — rising harmony] 主よ どうかお許しを！ [Chorus — Full gospel disco, powerful melodic lift] [Spatial: Lead vocal front-center, gospel choir wide stereo, bass and kick centered, backing vocals layered at different depths, bright organ on both sides] かくれんぼは懺悔のあとで 好きと言えない 罪深さ もういいかい？ まだだめよ！ 恋の行方は 神のみぞ知る かくれんぼは懺悔のあとで 見つけてほしい 見つかりたくない 鬼は誰なの？ あの人なの？ それとも神様ですか？ [Female Choir — explosive gospel response] （アーメン！） （ハレルヤ！） [Instrumental Interlude — Hammond organ, handclaps, funky bass, gospel disco] [Spatial: Organ riffs answering from L/R, short choir chants bouncing between channels, bass locked to center, no audience sounds] [Female Choir — rhythmic chant, alternating sides] せーの！ （悔い改めよ！） もう一回！ （鬼を替えよ！） [Verse 2 — Female Lead Vocal, increasingly theatrical] [Spatial: Lead close and dry, bass groove steady, short backing-vocal echoes panned outward, playful organ fills] 告解室には 先客が 同じあの人の 名を告げる 隣のシスター 目をそらし なぜか口紅 塗り直す 神父様さえも 腕組みし 「その男なら さっきまで 聖堂の裏で 隠れてた」 ……それは誰の 話ですか？ [Pre-Chorus 2 — Rhythmic call-and-response, playful and precise] [Spatial: Lead vocal center, choir answers from alternating left and right, brief gaps between each line] [Female Lead Vocal] 私は何にも 知りません [Female Choir — left and right in unison] 知ってる！ 知ってる！ [Female Lead Vocal] 恋など一度も してません [Female Choir — sharp rhythmic response] 嘘です！ 嘘です！ [Female Lead Vocal] 神様だけが ご存じよ [Female Choir — wide stereo, mock-serious] 神様も隠れてる！ [Chorus — Bigger gospel disco, exuberant choir] [Spatial: Full stereo width, lead firmly centered, layered choir wide and behind, octave doubles on key phrases, driving bass and handclaps] かくれんぼは懺悔のあとで 好きと言えない 罪深さ もういいかい？ まだだめよ！ 恋の答えは 神のみぞ知る かくれんぼは懺悔のあとで 見つけてほしい 見つかりたくない 鬼は誰なの？ あの人なの？ それとも神様ですか？ [Bridge — Sudden reduction, intimate emotional turn] [Arrangement: Drums and bass drop out, soft solo organ remains] [Spatial: Lead vocal very close and dry at center, choir silent, long silence after the question] [Female Lead Vocal — sincere, restrained, almost speaking] ねえ 神様 ひとつだけ 教えて あの人を好きになったこと そんなに悪いことですか？ [Silence — Complete instrumental stop, hold the pause] [Female Choir — barely audible whisper, distant stereo] ……もういいかい？ [Final Chorus — Explosive gospel disco, triumphant and mischievous] [Spatial: Full-band return on downbeat, lead center-front, choir spread wide, handclaps moving L/R, layered harmonies building toward final line] かくれんぼは懺悔のあとで 恋の十字架 背負いましょう もういいかい！ もういいわ！ 今夜は私が 鬼になる！ かくれんぼは懺悔のあとで 逃げるあなたを 追いかける 神も仏も お眠りなさい 恋の裁きは 明日にして！ [Outro — Absolute stop, no instrumental backing] [Spatial: Completely dry center vocal, choir responses wide L/R, no reverb tails, distinct pauses between lines] [Female Lead Vocal — intimate whisper, center] ……見つけた。 [Female Choir — whispered, confused, together] 誰を？ [Female Lead Vocal — calm, chilling whisper, center] 神様。 [Female Choir — sudden explosive shocked exclamation, all voices together] えええええっ！？ [End — One dramatic church organ chord, then silence] [Female Choir — final whispered unison, distant] アーメン……
