[Intro: Atmospheric Jo Phase] [Deep Sho drone in Ichikotsucho mode] [Distant echoing Taiko strikes] [Verse 1: Low Monotonic Priest Chant, Syllabic Staccato] 高天原に、 神留まります。 皇が親、 神漏岐、 神漏美の、 命を以て。 [Verse 2: Adding Rhythmic Tension] [Slow rolling Taiko rhythm enters] 八百万神等を、 神集へに、 集へ給ひ。 神計りに、 計り給ひて。 [Pre-Build: Ha Phase Acceleration] [Sweeping low-pass filter opens on massive synth bass] 豊葦原の、 瑞穂国を。 安国と、 平らけく！ [Build-Up: Maximum Tension] [Kagura-suzu bells shaking faster and faster] [White noise riser sweeping upward] [Accelerating snare roll] 知食せと、 事依さし、 奉りき！ [Pre-Drop Vocal: Aggressive and Dry] 神楽！ [Drop: Kyu Phase Explosive Psytrance Fusion] [Massive distorted kick drum] [Galloping Psytrance bassline] [Piercing Hichiriki synth lead playing sliding Ichikotsucho melody] [Instrumental Dance Break] [Breakdown: Ethereal and Floating] [Beat drops out leaving only Sho pad and Kane bells] [Vocals shift to an echoing, distant whisper] 掛けまくも、 畏き、 伊邪那岐の、 大神。 [Verse 3: The Trance State] [Fast ticking hi-hats and pulsing sub-bass return] 筑紫の、 日向の、 橘の、 小戸の、 粟岐原に。 禊ぎ祓え給う時に、 生り坐せる。 [Build-Up 2: Escalating Ha Phase] [Synthesized Taiko roll, faster, harder] [Psytrance bassline galloping] 祓戸の、 大神等！ 諸々の、 禍事、 罪、 穢れを！ [Pre-Drop 2 Vocal] 祓え給い、 清め給えと！ 申す！ [Drop 2: Maximum Kyu Phase Energy] [Explosive Kick, Hichiriki lead harmonized in fifths] [Continuous Kagura-suzu shaking in high frequencies] [Heavy sidechain pumping] [Outro: Dissipation] [Heavy bass fades into a single long Sho chord] [One final Kane bell strike]
