[Instrumental] [Intro] [raw field recording only] [wooden table knocks establish the pulse] [irregular metal plate taps and rattles] [no drums, no cajon, no bongos, no congas] [Section A] [table knocks become faster and more syncopated] [quiet fingertip taps act as ghost notes] [metal plate accents become chopped and irregular] [keep the original room sound and human timing] [Section B] [the wooden table itself evolves into an intricate drum-and-bass break] [rapid edits, repeats and displaced table hits] [metal plate provides the only bright percussion] [no conventional kick, snare, hi-hat or hand drums] [Break] [return to the untouched field recording] [blues guitar, table and metal plate only] [Final Section] [impossible fast breakbeat constructed only from the original table hits] [raw wooden tone remains obvious] [metallic plate rattles weave through the rhythm] [field recording remains recognizable] [Outro] [editing gradually disappears] [return to the original room performance]
