[Compose a short symphony for traditional late-Romantic orchestra, approximately 6–8 minutes in duration. Inspired by the symphonic language of Tchaikovsky, Glazunov, Taneyev and early Rachmaninov] [Purely acoustic concert music. Instrumentation strictly limited to: Strings: Violins I, Violins II, Violas, Cellos, Double Basses. Woodwinds: Flutes, Oboes, Clarinets, Bassoons. Brass: French Horns, Trumpets, Trombones, Tuba, Optional Harp] [Traditional symphonic writing with rich Romantic harmony, lyrical melodies, expressive counterpoint, thematic development, organic orchestration and authentic nineteenth-century orchestral balance] [Movement I – Allegro maestoso. A noble and heroic opening theme introduced by brass and strings. Broad melodic lines, dramatic harmonic progressions, energetic development and a powerful orchestral climax] [Movement II – Adagio cantabile. A deeply expressive and melancholic melody. Warm strings supported by woodwinds. Flexible phrasing, emotional intensity and rich harmonic colour] [Movement III – Scherzo vivaceLight and agile orchestral textures. Brilliant rhythmic motion, lively counterpoint, elegant exchanges between strings and woodwinds, graceful virtuosity] [Movement IV – Finale allegro con fuoco.Gradual accumulation of energy. Return and transformation of earlier themes. Expanding orchestral textures, triumphant brass writing and a grand symphonic conclusion] [Authentic late-Romantic symphonic style. Traditional functional harmony. Natural concert hall acoustics. Historical orchestration. Absolute music. Pure symphony orchestra]
