<HEADER> [Track-led ambient electronica, never vocal-led] [One Japanese female whisper voice throughout] [English sung with a noticeable but gentle Japanese accent] [Non-native English pronunciation, slightly awkward and imperfect] [Japanese-shaped vowels, softened consonants, weak final consonants] [Do not use fluent native linking or polished native intonation] [Keep English words slightly separated, as if carefully reading them] [Soft r and l distinction, softened th sounds, gentle open vowels] [Whisper only — weak, breath-led, hesitant, nearly spoken] [The voice sounds unsure whether each word should be said] [Small breath before phrases, delayed entrances, tiny uncertain pauses] [Some words begin faintly and disappear before fully landing] [Fragile and timid, but not emotionally dramatic] [Almost no pitch movement, no wavering melody, no vocal bending] [No crying tone, no theatrical sorrow, no emotional peaks] [No chest voice, projection, belting, vibrato or raised volume] [Vocals sparse, distant and secondary to the instruments] [Broken felt piano, soft electronic haze and subtle glitch decay] [Long instrumental space between vocal phrases] [Static arrangement, minimal harmonic movement] [Non-pop, no hook, no chorus lift, no buildup, no climax] [Do not make the final refrain louder or more melodic] </HEADER> [Verse 1 — submerged hesitant whisper; each entrance slightly delayed; leave long instrumental gaps] walking through an evening that forgot how endings feel 光が伸びると 言葉も少し 溶けていくよ the way the light just lingers like it’s holding on to something 愛してるだけが ここに残って [Refrain — close dry whisper, flat and emotionally unchanged, almost no melody; add thin overlapping whisper layers behind the main voice, slightly delayed and softly spread in stereo; create ghostlike thickness without increasing volume, intensity or melodic expression] 石畳の上 足音だけ鳴ってる 風のなか 陽炎と君の間に 涙がみえる 手を伸ばした君 僕達だけ 陽につつまれ また明日って そういう午後 [Verse 2 — voice partially buried beneath piano and tape haze; imperfect Japanese-accented English; no crescendo] the evening shifts 色を変えて しおがひくみたいに また夜が来るから your voice still here 耳に残って 季節が変わるように 通り過ぎてく [Verse 3 — fragmented whisper; breath before each line; words sound found rather than performed] like warmth that lifts before your skin remembers cold 手を伸ばすより 早く消えてって an ache that doesn’t cut but settles in the marrow それでも歩く 夜が来るたびに [Verse 4 — distant near-whisper; slightly awkward English timing; every line ending dissolves] the streetlights blur the way my thoughts do when it’s late うまく言えない ただ わかってる something about the quiet makes me want to stay a little longer 帰りたくない そんな夕暮れ [Instrumental — no vocals] [Thin the repeating piano naturally] [Fewer notes, wider gaps, isolated low-register strikes] [Faint mechanical resonance, tape haze and subtle glitch erosion] [The piano motif never fully stops] [No new harmony, no buildup, no dramatic silence] [Allow the previous voice to disappear completely] [Refrain — close dry whisper, flat and emotionally unchanged, almost no melody; add thin overlapping whisper layers behind the main voice, slightly delayed and softly spread in stereo; create ghostlike thickness without increasing volume, intensity or melodic expression] 石畳の上 足音だけ鳴ってる 風のなか 陽炎と君の間に 涙がみえる 手を伸ばした君 僕達だけ 陽につつまれ また明日って そういう午後 [Outro — two almost voiceless whispers; each phrase enters reluctantly; unresolved] また明日 [Long instrumental gap — only piano decay and tape haze] また 明日
