[Intro] [Heavy 808 bass enters, dark trap beat, eerie synth pads] [Distant church bells, industrial sounds] [Whispered, close to mic, southern drawl, paranoid] Yeah... I see you, girl... I always see you... [Beat drops hard] [Verse 1] [Deep male voice, slow drawl flow, whispered, paranoid delivery] [Long lines, internal rhymes, breathing pauses] Your dress like sunlight — but I watched you burn it slow, Trace your steps where the shadows bend... I take it low. The crows took your name — but I taught 'em how to scream it, Now you're just a ghost, baby... in the shape of my prey, I mean it. [Ad-lib: «mean it...» — distorted, whispered] Crawlin' through the mud, yeah, I feel you in the ground, Every step you take, I can hear that little sound. [Ad-lib: «that sound...» — distorted] You think you're runnin' from me? Baby, that's just pretendin', 'Cause I'm already inside your head... and I ain't never endin'. [Whisper on «burn», «low», «scream», «prey», «ground», «sound», «endin'» — distorted] [808 bass heavy, trap hi-hats, southern drawl] [Chorus] [Voice becomes intense, aggressive, distorted, southern twang] [Heavy 808 drops, beat intensifies] Dust where you walked — I'm still breathin' it, girl, Blood on the ground — I spilled it for you, baby, that's my world. No clock, no name — just the hunt and the past, I left the letter where the crows can tear it... But I wrote your name in their eyes... and they knew, girl. [Aggressive flow, distorted vocal, southern drawl] [Verse 2] [Voice returns to whispered, more unstable, confused, southern drawl] Saw your face in the chrome — you were cryin', I was lyin', Felt your heartbeat in the dark... I was right behind you, tryin'. [Ad-lib: «behind you... tryin'...» — distorted] But the road only remembers the night it turned to flame, And I'm just a man, baby... chasin' ashes... callin' your name. [Ad-lib: «your name...» — whispered, distorted] You can run to the bayou, you can hide in the swamp, But I'll find you, girl... I can hear your little stomp. [Whisper on «cryin'», «behind», «flame», «name», «swamp», «stomp» — distorted] [Eerie synth pads, industrial undertones, southern drawl] [Chorus] [Maximum intensity, aggressive, unhinged, southern twang] Dust where you walked — I'm still breathin' it, girl, Blood on the ground — I spilled it for you, baby, that's my world. No clock, no name — just the hunt and the past, I left the letter where the crows can tear it... But I wrote your name in their eyes... and they knew, girl. [Bridge] [Beat strips to just 808 bass and eerie ambient] [Spoken, slow, menacing, southern drawl, close to mic] You think you can run, baby... But I know where you sleep. You think you can hide, girl... But I count every breath you keep. [Pause, 2 beats] [Whispered, barely audible, southern drawl] I'm already inside, baby. [Beat drops back in, explosive] [Final Chorus] [Explosive, distorted, chaotic, southern twang] DUST WHERE YOU WALKED — I'M STILL BREATHIN' IT, GIRL! BLOOD ON THE GROUND — I SPILLED IT FOR YOU, BABY, THAT'S MY WORLD! NO CLOCK, NO NAME — JUST THE HUNT AND THE PAST! I LEFT THE LETTER WHERE THE CROWS CAN TEAR IT... BUT I WROTE YOUR NAME IN THEIR EYES... AND THEY KNEW, GIRL! [Outro] [Beat fades, only eerie synth and 808 remain] [Whispered, intimate, terrifying, southern drawl] The crows took your name, baby... [Pause] Now I walk alone... [Long pause, ambient fades] [Whispered, close to mic, final words, southern drawl] ...but I'll find you again, girl. [3 seconds of silence] [Sudden sharp industrial sound — like metal slamming] [End]
