（Write from the perspective of organisms evolving in perpetual darkness rather than from a human point of view. Use fragmented imagery instead of narrative, allowing ordinary objects, insects, plants, body parts, minerals, fruit, water, and the cosmos to exist naturally in the same world. Avoid direct explanations and let listeners discover meaning through repetition, omission, and contrast. Blend biological vocabulary with poetic surrealism so that beauty and mutation become indistinguishable. Everyday words should feel unsettling, while grotesque images should remain strangely beautiful. Repeated phrases should function like ritual chants or instinctive behavior rather than conventional hooks. Verses should feel claustrophobic and organic, as if breathing inside a cave. Choruses should briefly bloom into immense cosmic openness before collapsing back into darkness. End with quiet transformation rather than resolution, leaving the impression that evolution continues after the music has faded.） [Intro: eerie reverb-soaked sitar, cave ambience, dripping water, distant drones, whispers] まだ 柔らかい 私はいつも 今にいないような気がし いないような気が いない [Verse 1: deep whisper, oppressive, organic, restrained] 刺さった 桃の 産毛が 産毛が 致命しょうで 抜けない抜けない 抜けない ままで ねったいや おえつが おえつが みちてく 知らない 知っている 知らない？ [Chorus: explosive, vast cosmic bloom, layered screams, shimmering atmosphere] 綺羅綺羅 さんらんして 綺羅綺羅 さんらんして 午後には 午後には すっかり 抜いてしまう 宇宙史のすべて [Break: silence, glitches, metallic resonance, cave echoes] (…glitch… silence… broken signal…) [Verse 2: minimal, mechanical, insect-like, intimate] カマドウマ 透明なまま 透明なまま 嘘を 纏えない 纏えない 纏え [Chorus 2: heavier, fractured, ritualistic, emotional collapse] 真理が すべてとは すべてとは かぎらない かぎらない かぎらない から また また また いつかあいましょう [Outro: sitar returns, ambient cave, distant harmonies, gradual transformation] ここから 私は 袖を 振る 振る 振る サヨナラ
