[TITLE: DANZA DE LA MUERTE — DIES IRAE] [EL ESTUDIANTE DE SALAMANCA — CHORAL MOVEMENT] [2:45–3:15 — SACRED DRAMATIC ORATORIO] [USE UPLOADED ISLAMEY COVER AS MUSICAL FOUNDATION] [PRESERVE RECOGNIZABLE INSTRUMENTAL THEMES] [ONE LARGE CLASSICALLY TRAINED MIXED SATB CHOIR] [EVERY WORD SUNG BY THE COMPLETE CHOIR] [FOUR-PART HOMOPHONIC HARMONY AND RHYTHMIC UNISON] [SOPRANOS CARRY THE MELODY; ALTOS, TENORS AND BASSES SUPPORT] [ALL BASS VOICES SING CLEAR PITCHED NOTES IN COMFORTABLE REGISTER] [NO SOLOISTS, NO EXPOSED MALE BASS, NO VOCAL EFFECTS] [NO SCREAMING, GROWLING, ROARING OR WORDLESS VOCALIZING] [NO SPOKEN WORDS, WHISPERS OR IMPROVISED SYLLABLES] [POWER FROM ORCHESTRATION, NOT VOCAL STRAIN] [CLASSICAL ORATORIO DICTION — EVERY SYLLABLE INTELLIGIBLE] [NO CLARINETS] [INTRO — 4 BARS] [IMMEDIATE FFF INSTRUMENTAL ISLAMEY THEME] [VIRTUOSO PIANO, ROMANI VIOLIN, FLAMENCO GUITAR] [TIMPANI, BASS DRUM, CYMBALS] [CHOIR ENTERS TOGETHER ON BAR 5] [CHORUS I — FULL SATB] [FORTE — BRILLIANT CLASSICAL CHORAL TONE] [PRECISE PITCHED FOUR-PART BLOCK CHORDS] [SOPRANOS AND ALTOS CLEARLY AUDIBLE ABOVE BASSES] [NO SHOUTED OR UNPITCHED NOTES] Dies irae! Dies irae! Mors venit! Mors venit! Dies irae! Dies irae! Nemo fugere potest! [INSTRUMENTAL — 8 BARS] [ISLAMEY THEME — VIRTUOSIC PIANO AND VIOLIN] [FLAMENCO GUITAR — RAPID RASGUEADO] [CHROMATIC CELLO PASSACAGLIA] [NO VOCALS] [CHORUS II — FULL SATB] [FORTE — RHYTHMIC STACCATO, PRECISELY SUNG] [DISCIPLINED ENSEMBLE, INTACT CHORAL HARMONY] [STRONG ORCHESTRAL ACCENTS UNDER THE VOICES] ¡Baila la muerte! ¡Gira sin fin! ¡Cae Montemar! ¡No puede huir! ¡Baila la muerte! ¡Gira sin fin! ¡La última apuesta llegó a su fin! [INSTRUMENTAL — 8 BARS] [ISLAMEY THEME ACCELERATES] [PIANO OCTAVES, VIOLIN DOUBLE-STOPS] [HEAVY TABLA, BENDIR AND CASTANETS] [NO VOCALS] [QUIET CONTRAST — FULL SATB — PPP] [ALL FOUR SECTIONS SING SIMULTANEOUSLY] [SOFT, PURE, BLENDED CHURCH-CHOIR HARMONY] [NO INDIVIDUAL MALE VOICE] [LONG SUSTAINED CHORDS OVER ELVIRA'S CELLO THEME] Duerme la rosa. Duerme el amor. Duerme la vida bajo el dolor. [INSTRUMENTAL BUILD — 8 BARS] [ISLAMEY RETURNS IN FULL ENSEMBLE] [ACCELERANDO INTO DANCE OF DEATH] [ASCENDING CHROMATIC SEQUENCES] [ORCHESTRA BUILDS PPP TO FFFF] [CHOIR REMAINS SILENT DURING BUILD] [FINAL CHORUS — FULL SATB] [ORCHESTRA FFFF — CHOIR FORTE, NEVER FORCED] [VERDI REQUIEM: NOBLE, CONTROLLED CHORAL POWER] [CLASSICAL LEGATO WITH PRECISE RHYTHMIC ATTACKS] [ALL FOUR SECTIONS SING CLEAR WORDS AND PITCHES] [NO SCREAMS, NO BASS GROWLS, NO VOCAL AD-LIBS] Dies irae! Dies irae! Mors triumphat! Mors triumphat! ¡Cae el orgullo! ¡Cae Montemar! ¡La muerte lo llama! ¡No puede escapar! Dies irae! Dies irae! Mors triumphat! Mors triumphat! [FINAL INSTRUMENTAL — 8 BARS] [ISLAMEY THEME AT MAXIMUM VELOCITY] [PIANO, ROMANI VIOLIN AND GUITAR IN UNISON] [TIMPANI, BASS DRUM, CYMBALS] [CHROMATIC ORCHESTRAL SPIRAL TO FFFF] [CHOIR SILENT — NO VOCAL SOUNDS] [SUDDEN COMPLETE STOP] [CODA — FULL SATB — PPP] [SOFT HOMOPHONIC SACRED CHORAL CADENCE] [ALL FOUR SECTIONS TOGETHER] [PURE SUSTAINED PITCHES — NO SOLO VOICES] Mors venit. Mors manet. Omnia silent. [ONE LOW BELL] [HARD END — NO FADE-OUT]
