[tone: ancient, sardonic, theatrical, ominous, increasingly compassionate, existential] [vocals: solo Prophet; fully sung powerful theatrical rock baritone, commanding chest voice, melodic phrasing, controlled vibrato; quoted dialogue performed by the Prophet in character] [instruments: industrial guitars, dark synth arpeggios, sub-bass, metallic percussion, bowed strings, synthetic ceremonial choir, granular Glitch-tar] [effects: tomb machinery, servo movements, gauss discharges, corrupted archival signals, rhythmic glitches, deep mechanical reverb] [I — THE TOMB HAS COMPLAINTS] [Intro — subterranean machinery, metallic heartbeat] [low synth arpeggio rises into mechanical processional] [Prophet — theatrical, amused, fully sung] I heard a planet clearing its throat beneath a million tons of stone, a million doors remembering the names of kings long gone. Green light crawled along the walls, the dead began to rise, and someone wearing half a crown looked murder through my eyes. Oh, wonderful, another crypt, another royal resurrection. I've seen this film a thousand times— the undead lack direction. Brendan Fraser had it worse, at least his mummy had some charm. You lot brought a solar empire and a galaxy-sized alarm. [mechanical choir pulse] [Prophet — mischievous melodic hook] Rise and shine, Your Majesty, the stars have changed their tune. You've been asleep for ages, and you're rather late for noon. [servo click; metallic percussion locks into rhythm] [II — THE KINGS RETURN] [industrial gothic groove; ceremonial synth motif] [Prophet — playful, increasingly confrontational] You raised a hand of living metal and claimed the world beneath my feet. You named a dynasty forgotten, then demanded I retreat. You said you ruled these stars before my species crawled from mud. I said, "Impressive, truly, but that doesn't make them yours." You built your thrones on conquest, your laws on ancient wars, then slept through sixty million years and came back asking for more. [brief glitch-stutter] [Prophet — strong melodic refrain] The galaxy didn't wait for your glorious return. The suns kept burning brightly, and a billion worlds took turns. You may remember owning everything from here to heaven's gate— but history kept on happening. The galaxy didn't wait. [III — SIXTY MILLION YEARS] [dark electro pulse; syncopated industrial bass] [Prophet — sardonic swagger, sharper phrasing] Sixty million years! That's quite a little nap. Did you leave a forwarding address, a deed, a bloody map? The tenants built civilizations, the stars forgot your names. You can't call everyone a squatter just because you missed the change. I've dined with Orks and Skaven, I've survived their hospitality. But whatever's in that corridor has offended my mortality. [brief metallic glitch; distant scraping] Oh. That's not the plumbing. [Prophet — dry, theatrical] A Flayed One in the doorway, wearing someone else's skin. Well, that's one way to celebrate the state your empire's in. I never cared for zombies, too many sequels, not enough plot. But congratulations, gentlemen— you've made the genre rot. [industrial pulse tightens] [Prophet — melodic, with growing unease] And beneath the gilded titles, beneath the metal and the pride, something older than your kingdom is still screaming deep inside. [IV — THE PRICE OF FOREVER] [half-time cyber-doom; bowed strings and synthetic lament] [Prophet — humor falls away; strong, solemn singing] Then I found the oldest records, the bargain and the lie: a people born to suffer, who were desperate not to die. The Old Ones held their centuries, your people counted days. The C'tan offered endless life and took your souls as payment. You traded flesh for living metal, pain for everlasting years, and called the silence victory when you could no longer hear the tears. Your kings remembered names and faces, their grudges, their ambitions, too. But millions marched behind them with almost nothing left of who— who they had been, who they could be, who might have chosen differently. [ceremonial choir darkens; melodic tension builds] You shattered gods who'd used you, broke their power into shards, but couldn't give your people back the lives that they'd been robbed. [Prophet — resonant, sustained] You wanted to live forever. Tell me— how many of you are actually still living? [V — THE KINGS WHO OWN NOTHING] [darkwave pulse returns; heavy industrial accents] [Prophet — grave, challenging, not triumphant] You called it liberation when your masters came apart. You broke the hands that bound you, but never freed the heart. A thousand tombs, a million crowns, an empire carved in stone— and every throne demands a world it cannot truly own. You speak of restoration, of bloodlines, rights and claims. But where are all the voices that never chose these chains? [Prophet — stronger melodic ascent] You have the strength to crack a star, to make the living kneel. But power isn't proof of right, and metal doesn't make it real. And I have walked beyond my years, rewritten what I knew. So don't mistake this for a sermon from someone better than you. I know the taste of changing worlds. I know what power can excuse. That's why I ask whose will survives when kings decide what's true. [short instrumental turn; gauss pulse decays] [VI — THE GALAXY DIDN'T WAIT] [full processional groove; dark synthwave and industrial rock converge] [Prophet — powerful, melodic, controlled] You can raise your ancient banners, wake the legions from below. You can summon all your dynasties and command the stars to bow. But a claim is not a covenant, and a crown is not consent. The future isn't property because you owned its past tense. [recurring refrain — darker, more solemn] The galaxy didn't wait for your glorious return. The suns kept burning brightly while the younger empires burned. You may remember owning everything from here to heaven's gate— but history kept on happening. The galaxy didn't wait. [industrial instrumentation withdraws; strings and sub-bass remain] [Prophet — intimate in meaning, full-voiced in delivery] And maybe somewhere in that metal, beneath the protocols and pride, there's still a piece of someone who remembers being alive. Not the throne. Not the conquest. Not the names upon the wall. Just the warmth of being someone before you had to lose it all. [OUTRO — THE UNANSWERED KING] [slow mechanical pulse; unresolved dark harmony] [Prophet — solemn, resonant, final] You remember owning the galaxy. But tell me, Your Majesty— do you remember what it felt like to be alive? [mechanical pulse stops] [one distant servo moves] [End.]