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the litany of gendlin

V5

[opening: one low piano note, repeated every measure] [texture: soft synth choir on a bare fifth] [bell: three notes, descending, then silence] [mood: not despair; disciplined fear] [solo voice: almost spoken] “if the dark is truly coming let me see the dark arrive if the light is only wishing let the wish in me not thrive” [low strings: enter beneath the second line] [pulse: no drums, only piano marking time] [solo voice] “if the serpent has awakened i desire to know its name if the serpent is a shadow i desire to drop the frame” [choir: quiet, syllabic, prayer-like] “let what is true be seen let what is false depart” [piano: adds a second note, forming a slow heartbeat] [bell: repeats the descending cell, now harmonized] [chorus: full but restrained] “if it is so, let me believe it if it is not, let me be free not what i fear not what i need only the world as it must be” [brief silence: half measure] [solo voice: softer] “if i am wrong, undo me gently if i am right, then make me brave” [choir: answer] “truth is not a master truth is not a slave” [verse 2: alto or baritone] “i have loved my clever mirrors i have dressed my hopes as law i have called my terror wisdom i have blessed the thing i saw” [low drum: single soft hit every two measures] [strings: slow rising inner line] [square lead: faintly doubles the vocal melody at octave] [baritone] “take the comfort from my fingers take the story from my tongue leave me with the thing itself unhidden and unsung” [choir: firmer] “let what is true be seen let what is false depart” [chorus: stronger, still solemn] “if it is so, let me believe it if it is not, let me be free not what i fear not what i need only the world as it must be” [bridge: harmony darkens; bass descends stepwise] [solo voice: exposed, no choir] “i do not ask the world for mercy i do not ask the facts to bend i only ask for eyes unclouded and a mind that will not spend its life defending ruins its life rehearsing lies its life mistaking darkness for the closing of its eyes” [drums: enter as a slow processional, kick on 1, soft snare on 3] [organ pad: low, almost imperceptible] [choir: hum grows into open vowels] [ensemble: vow-like] “let the answer wound me cleanly let the answer make me whole let the truth pass through the body let it clarify the soul” [chorus: full ensemble, luminous but severe] “if it is so, let me believe it if it is not, let me be free not what i fear not what i need only the world as it must be” [key lift: not triumphant; brighter by necessity] [square lead: states the refrain instrumentally] [strings: rising line resolves for the first time] [choir: sustained harmony] [final refrain: softer, more certain] “if it is so, let me believe it if it is not, let me be free not what i fear not what i need only the world as it must be” [ending: all instruments drop except piano and bell] [solo voice: whispered] “only the world as it must be” [bell: final descending three-note cell] [chord: open fifth, no third, suspended between grief and resolve]