Clockwork Cobra Temple

distorted guitar, pop vocals, rap vocals, hard rock, acoustic folk, tropical house, trap hi-hats, du

+ Show full styles

CUSTOM

[Instrumental]

[Intro]
[144 BPM, C harmonic minor, dry wooden percussion, distant temple bell, filtered sub pulse]
[clockwork ticking made from tight closed hi-hats, tiny metallic clicks, reversed cymbal dust]
[very short 909 kick enters every four beats, still muted and restrained]

[Engine Start]
[punchy four-on-the-floor kick locks in, rolling 16th acid bassline instead of triplet bass]
[TB-303 line stays low and snakelike, filter cutoff moving slowly]
[plucked synth melody appears in odd 5-note phrase, slightly detuned, hypnotic and crooked]

[First Pattern Shift]
[offbeat hi-hats open, metallic claps snap with short room reverb]
[FM synth chirps answer the plucked melody, high-feedback delay bouncing in stereo]
[brief sudden silence, then bass returns one octave lower]

[Drop 1]
[lean dark Goa groove, punchy kick, acid bass, sharp staccato lead synth]
[stutter-edited piano hits used like percussion, not melody]
[gated synth stabs form a broken machine rhythm]
[filter sweeps reveal a second acid line twisting around the first]

[Desert Break]
[kick disappears, sub-tail fades into warm drone]
[atmospheric pads, granular sand-like textures, distant industrial snare hits]
[piano becomes strange and beautiful, sparse minor chords with long delay trails]
[resonant acid lead quietly bends upward like a warning siren]

[Build]
[pitch-shifter rising, rhythmic gating tightens, snare roll chopped into triplets]
[white-noise sweep stays narrow and harsh]
[plucked synth melody returns faster, now doubled by FM bells]

[Drop 2]
[heavier psytrance drive, oversteered kick layer tucked under clean punch]
[rolling acid bassline, Reese bass shadow, metallic claps, ghost-note percussion]
[detuned supersaw lead enters only in short stabbing bursts]
[piano chords get bitcrushed and thrown into delay at the end of each 8 bars]

[False Ending]
[all drums stop]
[clockwork ticking alone]
[one deep sub hit]
[tape-stop effect]

[Final Drop]
[full psychedelic climax, punchy 909 kick, acid bassline, FM lead, plucked synth hook, gated stabs]
[resonance modulation gets unstable, filter cutoff snaps open and shut]
[industrial percussion and breakbeat fragments appear as fills]
[piano hook returns as bright staccato chords, cutting through the acid storm]

[Outro]
[bassline loses notes one by one]
[clockwork hats remain, temple bell returns]
[final acid squelch dissolves into granular drone]

[End]

2413/7500

[Instrumental] [Intro] [144 BPM, C harmonic minor, dry wooden percussion, distant temple bell, filtered sub pulse] [clockwork ticking made from tight closed hi-hats, tiny metallic clicks, reversed cymbal dust] [very short 909 kick enters every four beats, still muted and restrained] [Engine Start] [punchy four-on-the-floor kick locks in, rolling 16th acid bassline instead of triplet bass] [TB-303 line stays low and snakelike, filter cutoff moving slowly] [plucked synth melody appears in odd 5-note phrase, slightly detuned, hypnotic and crooked] [First Pattern Shift] [offbeat hi-hats open, metallic claps snap with short room reverb] [FM synth chirps answer the plucked melody, high-feedback delay bouncing in stereo] [brief sudden silence, then bass returns one octave lower] [Drop 1] [lean dark Goa groove, punchy kick, acid bass, sharp staccato lead synth] [stutter-edited piano hits used like percussion, not melody] [gated synth stabs form a broken machine rhythm] [filter sweeps reveal a second acid line twisting around the first] [Desert Break] [kick disappears, sub-tail fades into warm drone] [atmospheric pads, granular sand-like textures, distant industrial snare hits] [piano becomes strange and beautiful, sparse minor chords with long delay trails] [resonant acid lead quietly bends upward like a warning siren] [Build] [pitch-shifter rising, rhythmic gating tightens, snare roll chopped into triplets] [white-noise sweep stays narrow and harsh] [plucked synth melody returns faster, now doubled by FM bells] [Drop 2] [heavier psytrance drive, oversteered kick layer tucked under clean punch] [rolling acid bassline, Reese bass shadow, metallic claps, ghost-note percussion] [detuned supersaw lead enters only in short stabbing bursts] [piano chords get bitcrushed and thrown into delay at the end of each 8 bars] [False Ending] [all drums stop] [clockwork ticking alone] [one deep sub hit] [tape-stop effect] [Final Drop] [full psychedelic climax, punchy 909 kick, acid bassline, FM lead, plucked synth hook, gated stabs] [resonance modulation gets unstable, filter cutoff snaps open and shut] [industrial percussion and breakbeat fragments appear as fills] [piano hook returns as bright staccato chords, cutting through the acid storm] [Outro] [bassline loses notes one by one] [clockwork hats remain, temple bell returns] [final acid squelch dissolves into granular drone] [End]

0/500