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SIDE B 2. Read Receipts

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[INTRO — guitar arpeggio, bass like a thought, drums held back, reverb like a room with a window open at dawn] [VERSE — one continuous flow, no chorus, no repetition, no direct addresses] And there's a place where words don't have to land on anyone's doorstep to be received, a place where the echo of a sentence can travel through a day and come back as a change in the air, and it's not about having time to reply — it's about knowing that something was left, like a stone turned over on a path you don't walk often, but still recognise, still remember the weight of, even if you can't always name who left it there, because names aren't what matter when you've already learned to read a room by the way it breathes, and you don't need a signature on the back of a thought to know where it came from, you just recognise the shape, the pause that doesn't feel empty, the rhythm that doesn't need to be explained, and that's what stays, not the message, not the moment, just the certainty that you were never talking to yourself, even when it felt that way. [OUTRO — guitar fades, a single breath, then silence]