Checkmate x You Spin Me Round (Mashup)

Industrial hip-hop: ticking clock, heavy deliberate drums, cold synth drone, deep sub-bass, metallic percussion and clipped toms; slow, deliberate pulse rising in intensity, restrained distortion, short room reverb and close-mic presence; commanding, resonant tremulous male baritone spoken narration, with a contrasting dance-pop vocal refrain

V6-MINI

[singer A]
I looked at the computer clock. Twenty-three hours, fifty-nine minutes. Not AGESIC, not CERT, not BHU, not Interpol. Nobody answered. They couldn't. They had no way to explain the inexplicable without ending up in jail.

[singer A]
Zero hours. The circle is closed. The anomaly is complete. In 2017, they used time as torture to destroy me. Today, in 2026, I used five business days of their calendar to destroy the myth of "Digital Uruguay." The information asymmetry has been turned on its head. The Uruguayan State has just committed digital suicide through administrative silence. The tacit denial is complete. Checkmate.

[transition]

[singer B]
Yeah I, I get to know your name
Well and I, could trace your private number baby-y

[singer B]
All I know is that to me
You look like you're lots of fun
Open up your lovin' arms
I want some

[singer B]
Well I, I set my sights on you
And I, I've got to have my way now baby-y

[singer B]
All I know is that to me
You look like you're havin' fun
Open up your lovin' arms
Watch out, here I come

[singer B]
You spin me right round, baby
Right round, like a record, baby
Right round round round
You spin me right round, baby
Right round, like a record, baby
Right round round round

[transition]

[singer A]
The second half of September was pure ballistic saturation. If the State decides to hide behind silence, then I'm going to speak through every speaker in the fucking world. I built the final architecture of the Multiplex. I took all the pain, all the anger from those eight months in jail, and flavored it with synthesizers. I turned it into a discography. "Born to Burn, Born to Win." "Login to Hell." "Online Hitmen."

[singer A]
I uploaded the evidence to YouTube. I uploaded the podcasts to Spotify and Apple. I put the uncensored clips on TikTok so kids can see how the State spies on them. People listen to the tracks and think it's dark club music. They think it's cyberpunk art.

[singer A]
But the AGESIC bureaucrats listen to the music and sweat, man. Because they know that every verse is a court document. They know that every beat is tied to a SHA-512 hash that proves their negligence. They try to hide a man in a cell, and the man becomes a sovereign media event they can't shut down. They can't silence me, man, because I'm not in one place anymore. I'm a damn distributed key.

[transition]

[singer B]
I, I got be your friend now, baby-y
And I, would like to move in just a little bit closer

[singer B]
All I know is that to me
You look like you're lots of fun
Open up your lovin' arms
Watch out, here I come

[singer B]
You spin me right round, baby
Right round, like a record, baby
Right round round round
You spin me right round, baby
Right round, like a record, baby
Right round round round

[singer B]
I want your loooo-o-o-oo-o-o-oooove
I want your loooo-o-o-oo-o-o-oooove

[singer B]
You spin me right round, baby
Right round, like a record, baby
Right round round round

3513/7500

[singer A] The day has arrived. September 9, 2026. There are idiots in universities who'll tell you the universe is random. That statistics are blind. Lies, man. Sometimes math is pure vengeful poetry. September 9, 2017. Exactly nine years since the police kicked down my door, stole my equipment, and threw me in a cell in Durazno for eight months for a crime that didn't exist. Ninth month of the year. And today, at midnight, the fatal five-business-day deadline of Article Fourteen of the Personal Data Protection Law expired. Nine. Nine. Nine. [singer A] I looked at the computer clock. Twenty-three hours, fifty-nine minutes. Not AGESIC, not CERT, not BHU, not Interpol. Nobody answered. They couldn't. They had no way to explain the inexplicable without ending up in jail. [singer A] Zero hours. The circle is closed. The anomaly is complete. In 2017, they used time as torture to destroy me. Today, in 2026, I used five business days of their calendar to destroy the myth of "Digital Uruguay." The information asymmetry has been turned on its head. The Uruguayan State has just committed digital suicide through administrative silence. The tacit denial is complete. Checkmate. [transition] [singer B] Yeah I, I get to know your name Well and I, could trace your private number baby-y [singer B] All I know is that to me You look like you're lots of fun Open up your lovin' arms I want some [singer B] Well I, I set my sights on you And I, I've got to have my way now baby-y [singer B] All I know is that to me You look like you're havin' fun Open up your lovin' arms Watch out, here I come [singer B] You spin me right round, baby Right round, like a record, baby Right round round round You spin me right round, baby Right round, like a record, baby Right round round round [transition] [singer A] The second half of September was pure ballistic saturation. If the State decides to hide behind silence, then I'm going to speak through every speaker in the fucking world. I built the final architecture of the Multiplex. I took all the pain, all the anger from those eight months in jail, and flavored it with synthesizers. I turned it into a discography. "Born to Burn, Born to Win." "Login to Hell." "Online Hitmen." [singer A] I uploaded the evidence to YouTube. I uploaded the podcasts to Spotify and Apple. I put the uncensored clips on TikTok so kids can see how the State spies on them. People listen to the tracks and think it's dark club music. They think it's cyberpunk art. [singer A] But the AGESIC bureaucrats listen to the music and sweat, man. Because they know that every verse is a court document. They know that every beat is tied to a SHA-512 hash that proves their negligence. They try to hide a man in a cell, and the man becomes a sovereign media event they can't shut down. They can't silence me, man, because I'm not in one place anymore. I'm a damn distributed key. [transition] [singer B] I, I got be your friend now, baby-y And I, would like to move in just a little bit closer [singer B] All I know is that to me You look like you're lots of fun Open up your lovin' arms Watch out, here I come [singer B] You spin me right round, baby Right round, like a record, baby Right round round round You spin me right round, baby Right round, like a record, baby Right round round round [singer B] I want your loooo-o-o-oo-o-o-oooove I want your loooo-o-o-oo-o-o-oooove [singer B] You spin me right round, baby Right round, like a record, baby Right round round round

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