どっち派？ - MOON.WAVES Remix

kawaii future bass, 2-step, uk garage; 134 BPM shuffled 2-step groove, ; vocaloid, miku vocal, high-pitched robotic voice, auto-tuned harmonics, vocoder effect, two pitched-up formant-shifted kawaii voices, one high and one a fifth lower, trading verses and the rap break and harmonizing in thirds on the chorus drops, the regular vocaloid lead voice answering with dry spoken lines and singing the bridge alone, all three together on the final chorus a semitone up; DJ scratch, turntable scratch bursts on the downbeats and between phrases, sidechained supersaw chord stabs in major ninth voicings, pitched vocal chops, 2-step kick and rimshot pattern with swung hi-hats, syncopated sub bass with glides, electric piano major seventh chords, music box plucks, chiptune arpeggio; wide supersaw drops against dry narrow verses, spoken lines dry and upfront, final spoken line unaccompanied then one scratch and a single chord hit with instant cutoff, ‑male vocal, ‑city pop, ‑funk, ‑slap bass, ‑brass, ‑saxophone, ‑electric guitar, ‑rock, ‑punk, ‑distorted vocals, ‑screamo, ‑growl, ‑free jazz, ‑industrial, ‑dark, ‑minor key, ‑lo-fi, ‑slow ballad, ‑natural singing, ‑warm human voice, ‑soulful vocal, ‑gradual fade out, ‑long decay

V6-MINI

[Verse 1: Quiet arrangement, High Voice]
(mezzo-piano, pitched-up high voice, 2-step shuffled kick and rimshot, swung sixteenth hi-hats, syncopated sub bass, electric piano major ninth chords on the offbeats)
見てよこのライン　完璧なカーブ
Tシャツ越しでも夢を見せる
語り出したら止まらない
“Top game strong” that’s what I like!

[Verse 2: Quiet arrangement, Low Voice]
(same 2-step groove, pitched-up voice a fifth lower, sub bass dropping an octave, music box countermelody, chiptune arpeggio entering in the last two bars, snare roll pickup)
でも歩く姿が芸術なんだ
丸みのいんえい　まさに美の極み
俺に言わせりゃ哲学だよ
「重心こそ、真理だね」

[Chorus: Drop, Anthemic, SuperSaw, Call and Response]
(forte, sidechained supersaw chord stabs in major ninth voicings, high and low voices in thirds, pitched vocal chops between phrases, turntable scratch on the downbeats, sub bass glides, drums tacet under the spoken reply)
どっち派？　胸派？お尻派？
You say “Big love”, I say “Soft touch”
議論は尽きない Friday night
[Lead Voice] ほんとヒマね、あんたたち

[Verse 3: Call and Response, Beat switch, DJ Scratch]
(texture reduced to sub bass and rimshot, voices alternating one bar each, turntable scratch answering each line, tape-stop effect before the spoken reply)
[High Voice] でもさ、触れた時の—
[Low Voice] ちょ、そこ放送コード！
[High Voice] いやいや、真面目な話！
[Low Voice] …で、最終的にどっちもって言うんだろ？
[Lead Voice] …はいはい、茶番終了〜

[Break: Rap, DJ Scratch, Call and Response]
(half-time drums, sub bass and finger snaps only, pitched-up high and low voices alternating, staccato syllables on the sixteenth grid, turntable scratch answering the line ends)
[High Voice]
Top or bottom, round or flat
I just admire, now imagine that
[Low Voice]
Not a war, it's just my taste
But I still claim, hips got grace

[Bridge: Quiet arrangement, Emotional, Lead Voice]
(drums tacet, electric piano and music box only, major seventh chords with a borrowed minor subdominant chord, vocal mezzo-piano legato, snare roll and white-noise riser in the last two bars)
鏡の前で悩むより
笑ってくれるほうがいい
中身とか外見とか
どうでもいいことよ、もう

[Chorus: Modulation to E-flat major, Drop, Climactic crescendo, Anthemic]
(semitone modulation, fortissimo, full supersaw stack, all three voices in harmony, pitched vocal chops and music box countermelody, turntable scratch on the downbeats, 2-step hi-hats at full density)
どっち派？ 胸派？お尻派？
でも君の笑顔が No.1
Forget the rest, just hold me tight
Love is more than left or right

[Outro: Spoken Word, Sudden Cut, DJ Scratch]
(all instruments cut, dry spoken lead voice alone, one turntable scratch and a single supersaw chord hit after the line, instant cutoff)
[Lead Voice] ……あんた達、バカじゃない？

2821/7500

[Intro: Spoken Word, Call and Response, DJ Scratch] (turntable scratch bursts, dry spoken voices over a filtered 2-step drum loop, electric piano major seventh chord sustained, high-pass filter opening, one-beat rest before the verse) [High Voice] やっぱ胸っしょ？ [Low Voice] いやいや、ヒップだろ？ [Lead Voice] また始まった… [Verse 1: Quiet arrangement, High Voice] (mezzo-piano, pitched-up high voice, 2-step shuffled kick and rimshot, swung sixteenth hi-hats, syncopated sub bass, electric piano major ninth chords on the offbeats) 見てよこのライン　完璧なカーブ Tシャツ越しでも夢を見せる語り出したら止まらない “Top game strong” that’s what I like! [Verse 2: Quiet arrangement, Low Voice] (same 2-step groove, pitched-up voice a fifth lower, sub bass dropping an octave, music box countermelody, chiptune arpeggio entering in the last two bars, snare roll pickup) でも歩く姿が芸術なんだ丸みのいんえい　まさに美の極み俺に言わせりゃ哲学だよ「重心こそ、真理だね」 [Chorus: Drop, Anthemic, SuperSaw, Call and Response] (forte, sidechained supersaw chord stabs in major ninth voicings, high and low voices in thirds, pitched vocal chops between phrases, turntable scratch on the downbeats, sub bass glides, drums tacet under the spoken reply) どっち派？　胸派？お尻派？ You say “Big love”, I say “Soft touch” 議論は尽きない Friday night [Lead Voice] ほんとヒマね、あんたたち [Verse 3: Call and Response, Beat switch, DJ Scratch] (texture reduced to sub bass and rimshot, voices alternating one bar each, turntable scratch answering each line, tape-stop effect before the spoken reply) [High Voice] でもさ、触れた時の— [Low Voice] ちょ、そこ放送コード！ [High Voice] いやいや、真面目な話！ [Low Voice] …で、最終的にどっちもって言うんだろ？ [Lead Voice] …はいはい、茶番終了〜 [Break: Rap, DJ Scratch, Call and Response] (half-time drums, sub bass and finger snaps only, pitched-up high and low voices alternating, staccato syllables on the sixteenth grid, turntable scratch answering the line ends) [High Voice] Top or bottom, round or flat I just admire, now imagine that [Low Voice] Not a war, it's just my taste But I still claim, hips got grace [Bridge: Quiet arrangement, Emotional, Lead Voice] (drums tacet, electric piano and music box only, major seventh chords with a borrowed minor subdominant chord, vocal mezzo-piano legato, snare roll and white-noise riser in the last two bars) 鏡の前で悩むより笑ってくれるほうがいい中身とか外見とかどうでもいいことよ、もう [Chorus: Modulation to E-flat major, Drop, Climactic crescendo, Anthemic] (semitone modulation, fortissimo, full supersaw stack, all three voices in harmony, pitched vocal chops and music box countermelody, turntable scratch on the downbeats, 2-step hi-hats at full density) どっち派？胸派？お尻派？でも君の笑顔が No.1 Forget the rest, just hold me tight Love is more than left or right [Outro: Spoken Word, Sudden Cut, DJ Scratch] (all instruments cut, dry spoken lead voice alone, one turntable scratch and a single supersaw chord hit after the line, instant cutoff) [Lead Voice] ……あんた達、バカじゃない？

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