[suno::GLOBAL_RULE=INSTRUCTION_TEXT_IS_NOT_LYRICS] [suno::GLOBAL_RULE=ONLY_TEXT_INSIDE_LYRICS_BLOCK_IS_VOCALIZED] [suno::GLOBAL_RULE=DO_NOT_SING_PARAMETER_LINES] [suno::GLOBAL_RULE=NEVER_VOCALIZE_SUNO_INSTRUCTIONS] [suno::Create the first 4:45–5:00 of an extended live art-funk performance.] [suno::This performance continues beyond Part I. Do not create a final chord, fade, applause or ending.] [suno::Real Paris crowd ambience remains audible.] [suno::Tina maintains one loud hypnotic bass ostinato almost unchanged.] [suno::Chris keeps a dry pulse while slowly shifting hi-hat accents.] [suno::Jimmy layers Farfisa drone and primitive asynchronous tape loops.] [suno::David gradually transforms muted Telecaster playing into pick noise and dead-string percussion.] [suno::Male thin nasal nervous British vocal. Begin with complete phrases. Language gradually fragments.] #LYRICS_BLOCK_START [Intro] [suno::Crowd cheers. Tina begins the bass ostinato alone. Chris enters with dry kick and hi-hat. Farfisa drone slowly appears. David adds clipped muted guitar. Hold the groove before vocal entry.] [Verse 1] [suno::David half-speaks with detached nervous precision. Bass remains dominant. Guitar uses short muted attacks.] Wake Walk Smile Repeat Morning ritual Down the street Coffee Train Screen Routine Everything Exactly clean Wake Walk Smile Repeat [Pre-Chorus] [suno::Chris subtly shifts hi-hat accents. Jimmy adds a faint repeating tape fragment. David becomes slightly more melodic but restrained.] Every motion Every day Turns into A sacred play Every motion Every day [Chorus] [suno::Female backing voice gives short chant responses. Keep the same bass ostinato. Do not create a large rock chorus.] Modern ritual Every morning Modern ritual Never ending Hands together Eyes ahead Living by The words unsaid Modern ritual Move again Move again [Groove Passage One] [suno::Extend the live groove. Tina repeats the bassline. Chris shifts one hi-hat accent. David reduces guitar to dead-string scratches. Jimmy sustains Farfisa drone. Vocal phrases become rhythmic.] Wake Walk Wake Walk Coffee Train Screen Routine Wake Walk Smile Repeat Wake Walk Smile Repeat Hey! [Verse 2] [suno::David returns to recognizable lyrics but places words before and behind the beat. Guitar has almost no pitched notes.] Green light Crosswalk Elevator Sidewalk Tiny habits Fill the air Everybody Everywhere Looking forward Looking down Never losing Common ground [Groove Passage Two] [suno::Bass remains unchanged. Tape loop becomes clearer and repeats against the main pulse. Farfisa drone thickens slightly. David uses pick noise as percussion.] Wake Walk Work Wait Wake Walk Work Wait Move Wake Walk Work Wait Move [Breakdown Gate] [suno::Do not resolve or end. Continue the exact bass ostinato and pulse. David’s sentences collapse into isolated words. End Part I inside the active groove so Extend can continue seamlessly.] Every motion Every— Motion Every day Every— Day Wake Walk Work Wait Wake Walk Work Wait Move Move Wake Walk Work Wait Move Move Move #LYRICS_BLOCK_END ⸻ Part I Target: 4:45–5:00 Extend from: approximately 4:35–4:50, during the stable final groove. ⸻ Modern Ritual (Live Version) PART II – EXTEND ⸻ Extend Style Tags seamless_live_extension, same_bass_ostinato, language_percussion, word_rhythm_system, phase_shift_hihat, pick_noise_percussion, farfisa_drone, asynchronous_tape_loop, collective_chant, proto_polyrhythm, raw_paris_live, hard_stop_ending ⸻ EXTEND GLOBAL PROMPT [suno::GLOBAL_RULE=INSTRUCTION_TEXT_IS_NOT_LYRICS] [suno::GLOBAL_RULE=ONLY_TEXT_INSIDE_LYRICS_BLOCK_IS_VOCALIZED] [suno::GLOBAL_RULE=DO_NOT_SING_PARAMETER_LINES] [suno::GLOBAL_RULE=NEVER_VOCALIZE_SUNO_INSTRUCTIONS] [suno::Continue the exact existing live performance seamlessly.] [suno::Create a 3:35–3:55 extension. EXTENSION MUST END BEFORE 4:00.] [suno::Preserve source tempo, bass ostinato, tonal center, drum pulse and Paris venue ambience.] [suno::No new song, chord progression, verse melody or conventional chorus.] [suno::Tina maintains the existing bassline almost unchanged.] [suno::Chris slowly moves hi-hat accents across the pulse. Minimal fills.] [suno::David’s guitar is pick clicks, muted strings, scratches and dead notes only.] [suno::Jimmy layers Farfisa drone with asynchronous primitive tape loops.] [suno::David uses Wake, Walk, Work, Wait and Move as percussion syllables rather than semantic lyrics.] [suno::Female voice and audience gradually join individual words.] [suno::Complete every written section in order. After Final Reduction, stop immediately. Do not extend beyond four minutes.] #LYRICS_BLOCK_START [Word Cycle One] [suno::Continue directly from Part I. David delivers isolated words dryly around the beat. Tina’s bassline remains identical. Guitar creates pick clicks.] Wake Walk Work Wait Wake Walk Work Wait Move W