[Instrumental Intro: 32 bars; no vocals. Bars 1–8: elastic pitch-bent synth bass and short chopped synth motif. Bars 9–16: dry kick, clipped clap and skittering hats enter. Bars 17–24: glassy extended chords and sparkling arpeggio fragments. Bars 25–32: syncopated synth counterline, then brief drop to bass before vocal.] [Hook 1: 8 bars; close airy male tenor, one light double; conversational 6/6/9/5 phrasing, pauses for synth replies] When your voice reaches mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Hook 2: 8 bars; same vocal shape, selective high harmony on phrase endings; pitch-bent bass replies in vocal gaps] When your voice reaches mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Instrumental Break: 16 bars; first 8 strip to bass, clipped vocal-like synth fragments and sparse percussion; next 8 rebuild glassy chords, restless hats and a new upper synth counterline; no voice.] [Hook 3: 8 bars; intimate lead, slightly delayed entrances; clipped synth answers between lines] When your voice reaches mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Hook 4: 8 bars; widen selected vocal doubles, vary chord inversions and bass pitch bends; no vocal crescendo] When your voice reaches mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Instrumental Turn: 8 bars; remove full chords for 4 bars, expose bass and stuttering synth phrase; restore drums and sparkling arpeggio for 4 bars; no voice.] [Hook 5: 8 bars; shortened four-syllable opening; sparse vocal layers, bass carries movement] Your voice finds mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Hook 6: 8 bars; full opening restored; airy harmonies bloom selectively, bright synth counterline rises around vocal rests] When your voice reaches mine I come alive again Have I mistaken warmth for a sign? Would you stay with me? [Instrumental Outro: 12 bars; vocals cease. Chopped motif and elastic bass trade short phrases; progressively remove arpeggios and drums; clean instrumental cadence with natural decay.]
