Death March
D minor, Instrumental sparse angular math rock / experimental post-hardcore / noise rock, The priority is negative space, not speed: wide rests, broken phrases, sudden dropouts, long pauses that feel intentional and tense, Two interlocking electric guitars, wiry melodic bass, live drums, low-register wooden xylophone, Keep the playing jagged and slightly unstable, but the recording solid and physical: close mics plus natural room air, sharp transients, punchy snare, chesty toms, dry guitars, tight low end, minimal bus compression, no glossy polish, Most sections stay lean: isolated guitar cells, bass replies, floor-tom pulses, xylophone answering short motifs in the gaps, Only brief surges of density, Occasional 7/8 or 5/4 detours around a patient 4/4 spine, In the back half, open into a long lead passage over a stubborn bass-and-drum ostinato: guitar solo 90–120 seconds, slow build from clipped notes to bent harmonics, feedback bloom, double-stops, controlled dissonance, End
年度末 おわる 何も終わらないまま おわる 年度末 おわる 何も終わらないまま おわる 年度初め おわってるまま 年度初め おわってるまま おわってるまま 始まり おわる
