[Intro — deep pulsing synth-bass] [low frame drum] [dry electronic kick] [glassy two-note signal] [repeat patiently] You walked in and nothing happened. No thunder. No warning. No cinematic light. [long gap] Just the temperature moving slightly— toward you. [one glass note] I noticed. [instrumental part 1 — body signal] [deep three-note synth-bass loop] [stoic dry breakbeat] [low hand drums create sparse counter-rhythm] [wooden percussion] [new four-note detuned synth hook] [tiny electronic blips] [large negative spaces] [one bass note changes every eighth cycle] [hand drums briefly disappear] [then return with altered accents] [long hypnotic instrumental groove] [lead returns] You don't have to touch me. That's almost the interesting part. The distance does enough. Half a metre. Thirty centimetres. Ten. [beat] Stop. [long pause] Stay there. [melodic anti-hook] I can feel the room choosing sides. I can feel the air getting smaller. I can feel— [beat continues] nothing I can explain. [instrumental part 2 — skin mathematics] [new five-note rubbery bass sequence] [main beat remains stoic] [organic drums answer electronic snare] [four-note synth hook becomes three] [new liquid two-note synth] [filtered breath percussion] [soft metallic bell once every eight bars] [tiny psychedelic pitch bend] [loops repeat without becoming busy] [extended instrumental passage] [lead becomes rhythmic and dry] Closer. Wait. Closer. No. There. Stay. Don't smile. Don't make this— [long gap] easy. [sub-bass] [lead suddenly melodic] There are better ways to lose control than making noise. [instrumental part 3 — controlled fever] [new seven-note dark analog hook] [deep saturated sub-bass] [heavy dry beat, same tempo] [hand drums create slow polyrhythmic counter-loop] [five-note bass sequence continues] [glassy signal from intro returns] [seven-note synth appears only occasionally] [wooden hits move around groove] [one unexpected beat of silence] [everything returns unchanged] [long instrumental expansion] [no vocals] [organic percussion gradually becomes dominant] [electronic beat reduces] [bass continues relentlessly] [new three-note synth appears] [seven-note hook loses notes] [seven becomes five] [five becomes three] [only bass + hand drum + three-note hook] [lead returns extremely close] Maybe desire isn't wanting someone. Maybe it's noticing what your body does before you've decided what you're allowed to want. [long gap] The breath changes. The shoulders move. The voice gets quieter. [deep drum] And suddenly the body has answered— [long pause] without asking you. [soft synth] So don't come closer. Not yet. Let the distance do its work. [deep bass pulse] Let it become unbearable— [long silence] slowly. [three-note synth] [low hand drum] [glassy note] [silence]
