[Intro] [A compact blue-white synth tone is already glowing. Sustained bass holds its center; faint high violin harmonics gather around it.] [Low voices enter close together, almost as one resonant body.] [Low voices] Mmm—ii... (Vrr—ee...) Mmm—ii—ee... [One high voice appears above them, clear and narrow.] [High voice] Iih... Zii... [The violin harmonics tighten into a thin bright line. One short spectral pulse flashes through every register.] Zii! [Instrumental passage] [Let the pulse leave a long prismatic tail. High violins divide into trembling notes while synthetic overtones slowly separate.] [The bass remains concentrated. A wider chord gathers inside the sound, then releases before it becomes a regular rhythm.] [Verse 1] [Low voices sustain the pressure. The high voice answers with brief flashes; each exchange opens more space around the choir.] [Low voices] Vrr—ii—ee... (Vrr—ee...) Mmm—ii—ee... [High voice] Zii! Iih—ee... [The first broad synth pulse arrives. Violins swell with it and remain high after the synth recedes.] [Low voices] Vrr—ii—ee... Mmm—ee—ii... [High voices] (Zii!) Iih—ee—iii... (Zii—ii...) [The next pulse reaches farther across the stereo field. The choir opens from unison into widely spaced notes.] [Low voices] Vrr—eeee... (Vrr—ii...) [High voices] Zii! Zii! Eee—ii—eeee... [Instrumental passage] [Three high violin lines climb at different speeds. Glassy synth harmonics pass between them.] [The bass holds one dense note while the upper harmony grows brighter. Leave a charged silence before the voices return.] [Verse 2] [Brief a cappella exchange. Close low and high voices hold different notes as if two magnetic field lines were pulling apart.] [Low voices] Vrr—ee... Mmm—ii... [High voice] Iih—ee... Eee—ii... [The bass returns. Synth harmonics bend in opposite directions; violins trace long, tense arcs from left to right.] [Low voices] Vrr—ii—eeee... (Vree—ii...) [High voices] Zii—ee... (Iih—ee—iii...) [The arcs cross. A sharp electrical crack interrupts the sustained harmony.] Kss! (Tzz!) [Choir and strings cut out. Let the small electronic resonance hang alone.] [Low voices] Mmm—ii... Vrr—ee—iiii... [High voices] Iih—eeee... (Zii!) Iih—eeee—iii... [The voices enter from different distances. High violins answer in quick, bright fragments, then gather into a single rising line.] [Interwoven voices] Vrr—ii—ee... (Iih—ee...) Zii! (Zii—ii...) Eee—iiii... [Extended instrumental passage] [Release the tension in a wide synthetic wave. Massed high strings rise through it in overlapping legato lines.] [The wave recedes, but the violins keep climbing. Their harmonics become sharper and more brilliant as the bass gathers pressure for the final section.] [Verse 3] [Low voices hold the stellar core. High voices spread into open octaves; luminous pulses now arrive in large, unequal waves.] [Low voices] Mmm—ii—eeee... (Vrr—ii—eeee...) [High voices] Iiiii—eeee... (Zii—ii—eeee...) [The first wave opens a radiant chord. Violins tremble above it, then break into long soaring lines.] [Low voices] Vrr—eeee—iiii... Mmm—ii—eeee... [High voices] Zii! (Iih—ee—iii...) Zii! Zii! [The second wave is wider. Synth brass, high strings and choir rise together, but each follows a different contour.] [Interwoven voices] Vrr—ii—EEEE... (Iih—ee—EEEE...) Ziiii—eeee... (Mmm—ii...) [Hold the pressure for a breath. Then release the brightest pulse of the piece.] [Full choir] Iiiiiiiii—EEEE (Eeeeeeeee—IIII) Ziiiiiiii—EEEE (Vrrr—iiiiii) [Instrumental crest] [Massed high violins surge into brilliant octave unisons. Blue-white synth harmonics flood the space around them.] [Let the chord blaze, change color once, and open even wider before the bass finally releases.] [Outro] [The great pulse is gone. Its light remains in the high strings and a clear electronic overtone.] [Voices return close and quiet, sharing the same open harmony.] [Low voices] Mmm—ee... Vrr—ii... [High voice] Iih—ee... Zii—ii... [Interwoven voices] Mmm—ii—ee... (Iih—eeee...) [Long instrumental tail] [High violin harmonics withdraw one by one. The bass fades beneath them.] [Leave the last bright synth overtone suspended, as if another pulse could still form.]
