[[[﹝Ancient Egypt on Mars﹞]]] [[[ desert-industrial-techno · 126 BPM locked · Charlotte de Witte (Rhythm) × Kitaro (Instruments) × Vangelis (Atmosphere) · ancient-future-dust · 11:00 exactly ]]] [[[Kitaro’s ELECTRIC SITAR (Distorted) · An ancient melody played on a Sitar · Running through a Heavy Metal distortion pedal · Sounding like a rusted wire in the wind]]] [[[THE SANDSTORM KICK · Charlotte’s 909 Kick drum · Layered with a "White Noise" blast on every hit · It sounds like a hammer hitting a sandbag · Dry and dusty]]] [[[THE SNAKE CHARMER (Acid 303) · Roland TB-303 playing a Middle-Eastern scale (Phrygian) · High resonance · Slippery and winding like a digital cobra]]] [[[Vangelis CHORAL PAD · A massive male choir sound (low octave) · Dark and ominous · Buried deep behind the techno beat · The voice of the dead pharaohs]]] [[[THE BREAKDOWN (Mirage) · The beat vanishes · Heat-haze sound effects (pitch wobbling) · Kitaro’s Oud (lute) plays a sad, lonely note · "Pluck... Pluck..."]] ] [[[6:30–9:30]]] [[[THE MAIN DROP · The sandstorm returns · Maximum velocity · Kick + Acid Snake + Distorted Sitar · A wall of sound moving at 126 BPM]]] [[[Jean-Michel Jarre’s WIND FX · Digital wind sweeps panning left to right · Creating the feeling of being buried alive in the mix]]] [[[Outro · The mechanical elements stop · Only the wind remains · And one final Sitar buzz]]] ﹝﹝﹝﹝﹝﹝﹝﹝﹝﹝﹝﹝ sand · rust · gold · venom ﹞﹞﹞﹞﹞﹞﹞﹞
