[Early 1991-1993 Florida death metal (Cannibal Corpse, Obituary) mixed with early 90s West Coast gangsta rap (Ice-T, N.W.A.). Morrisound Studios production: thick, crushing, downtuned guitars, tight double-kick and blast beats with typewriter click, raw analog grit, dry gated drums. Aggressive male death metal growls and screams trading lines and dueting with hardcore West Coast gangsta rap singing and flows (niggaz' sheeeet street talk, aggressive Ice-T / N.W.A. style). Heavy use of turntable scratches, funk-sampled bass lines under death metal riffs, mid-tempo grooves exploding into blast sections. Dark, filthy, violent atmosphere. Explicit, street-level and gore-drenched. Clear contrast and switching between death metal growls and West Coast rap singing throughout the song.] [Instrumental Intro] [Slow, ominous Morrisound-style death metal intro: detuned chugging guitars with dissonant bends, distant police sirens and vinyl crackle fading in, sparse West Coast boom-bap drums building tension, low death metal growls murmuring under the riff, light turntable scratches cutting through the murk, 20-25 seconds, no full vocals yet.] [Verse 1] [Death metal growls] Crackhouse walls dripping with piss and blood Bodies twitching like zombies in the mud [Rap singing] Crack whores with sored cunts that never heal Rotten teeth, open wounds, the real deal [Death metal growls] Needle tracks like roadmaps to hell Living dead hustling for another sell [Rap singing] Smell of burnt rock and rotting flesh This is the Krakhouse, welcome to the mess [Chorus] [Dual vocals: death metal growls and West Coast rap singing] Krakhouse! Where the dead still crawl Krakhouse! Crack and blood on the wall Zombie fiends with the glass in their hand Rotten and gore in this fucking wasteland Krakhouse! Hear the zombies scream Krakhouse! Living dead in a pipe dream [Guitar Solo] [Shredding early-90s death-metal lead guitar (Cannibal Corpse / Obituary style): fast alternate-picked runs, dive bombs, harmonic squeals, dissonant bends, Morrisound guitar tone, played over a mid-tempo gangsta-rap groove with heavy scratches underneath.] [Verse 2] [Rap singing] Skin peeling off like old wallpaper Eyes sunken black, no soul left in there Crackheads crawling, begging for a hit Oozin’Pussy for a rock, they’ll suck on shit [Death metal growls] Maggots in the carpet, blood on the floor Somebody overdosed behind the bathroom door [Rap singing] Gore and filth, the American dream Krakhouse nightmare, hear the zombies scream [Chorus] [Dual vocals: death metal growls and West Coast rap singing] Krakhouse! Where the dead still crawl Krakhouse! Crack and blood on the wall Zombie fiends with the glass in their hand Rotten and gore in this fucking wasteland Krakhouse! Hear the zombies scream Krakhouse! Living dead in a pipe dream [Bridge] [Dual vocals: death metal growls and West Coast rap singing] [Half-time groove: slimy Morrisound guitar tone over a heavy West Coast gangsta-rap bassline, dual vocals (death growl and street rap) trading short lines, increasing intensity, turntable scratches rising, building toward chaos.] [Verse 3] [Rap singing] Pipes and glass, the tools of the trade Another body bag for the ones that stayed Whores with AIDS sores leaking green Crack zombies fuckin’in a fever dream [Death metal growls] Flesh falling off while they beg and they plead Bones poking out from the ones that still breathe [Rap singing] This is the end of the line for the fiends Krakhouse forever, no one intervenes [Chorus] [Dual vocals: death metal growls and West Coast rap singing] Krakhouse! Where the dead still crawl Krakhouse! Crack and blood on the wall Zombie fiends with the glass in their hand Rotten and gore in this fucking wasteland Krakhouse! Hear the zombies scream Krakhouse! Living dead in a pipe dream [Breakdown] [Death metal growls with occasional rap ad-libs] [Brutal Morrisound death-metal breakdown: ultra-heavy palm-muted chugs, double-kick stomps, guttural death growls roaring over the riff while a hard West Coast rap voice spits in the gaps, heavy vinyl scratches, filthy and crushing.] [Scratches] [Aggressive early-90s West Coast turntable scratches: sharp vinyl cuts, rhythmic stabs, backspins, and locked-groove effects cutting across both death-metal riffs and rap sections, raw and dirty.] [Instrumental Outro] [Fading chaos: final death-metal riff collapsing into distorted feedback, sparse West Coast drum hits and turntable scratches dying out, distant sirens and vinyl crackle, slow decay into silence.]
