[Title: HOOKED ON YOU] [Intro: 140 BPM – Drum groove kicks in with crisp snare & active hi-hats, wide vintage saturation. Distorted tubular glass rings out. Broken saxophone plays a dry, slow melodic fragment over a single overdriven prepared-piano cluster. Breath audible. Dual kawaii leads whisper in patois rhythm.] [Verse 1: Bright acoustic strumming enters, punchy electric bass locks on eighth-note roots. Dual vocals – female baritone lead with SATB shadow – short staccato, sacred-chant intensity] Cold sweat. Middle of the night. (patois inflection: "midal a di night") Mi know dis cyaan be right. Keys drop. Close di door. Always comin' back fuh more. You leave. Mi stay. Same sinting, anodda day. [Pre-Chorus: Strumming builds, pick-slide riffs cut through, snare drives harder. Broken saxophone rises with distorted clusters] Mi should block yuh number now. Make a promise. Tek a vow. But when yuh look at mi like dat... Dere is no tunin' back. [Chorus: Maximum acoustic energy, power chords punch. Dual kawaii leads double the hook. SATB harmony opens wide. Whole-tone clusters explode underneath] 'Cause mi hooked on yuh! Need dat rush, need dat hit! Mi cyaan seem to quit. [Kawaii Voice – high, clear, chanting] Yuh di drug! Mi di vein! Mi just love di pain. Mi try to walk away, mi swear. But mi need yuh everywhere. Yeah, mi hooked on yuh! [Verse 2: Strumming drops to muted picking. Bass locks on roots. Broken saxophone moans softly. Dual vocals return to intimate, close-mic delivery] Sun up. Cold bed. Echoes in mi empty head. Fren dem talk. Say mi blind. Say mi lost mi damn mind. Screen lights. One text. Wondrin' wha' happen next. [Pre-Chorus: Tension rises – hi-hats get active, snare rim-clicks, pick-slide scrapes, bass drives harder] Mi should block yuh number now. Make a promise. Tek a vow. But when yuh look at mi like dat... Dere is no tunin' back. [Chorus: Full explosive return – dual vocals belt, kawaii leads scream, power chords ring, distorted glass shatters, SATB harmony in canon] 'Cause mi hooked on yuh! Need dat rush, need dat hit! Mi cyaan seem to quit! [Kawaii Voice – raw, pleading] Yuh di drug! Mi di vein! Mi just love di pain! Mi try to walk away, mi swear. But mi need yuh everywhere! Yeah, mi hooked on yuh! [Bridge: Stripped to absolute minimum – one strum per chord, bass on roots only, snare on 2 & 4, hi-hats ghosting. Dual kawaii leads whisper in patois, almost spoken. Broken saxophone holds long, aching notes. Overdriven piano clusters shimmer] Midnight call. Broken glass. Waitin' fuh di ache to pass. [Kawaii Voice – breathy, sacred-chant intensity] Just one taste. Just one hit. Mi love di way mi go to waste. [Chorus: Explosive return – full band, wide saturated mix, distorted glass crashes, synth lead screams a brief melodic line over power chords. Dual vocal + SATB + kawaii leads in harmonic clash, passionate and raspy] 'Cause mi hooked on yuh! Need dat rush, need dat hit! Mi cyaan seem to quit! Yuh di drug! Mi di vein! Mi just love di pain! Mi try to walk away, mi swear. But mi need yuh everywhere! YEAH! MI HOOKED ON YUH! [Outro: Tempo slows slightly – broken saxophone picks softly, acoustic fades with muted strums, bass drops to sustained roots. Dual kawaii leads chant in patois round, fading into saturation and tube warmth] Still, mi crave it. [Whispered] Cyaan stop. Won't stop. [Final breath] Hooked on yuh... [End – Distorted glass ring decays, vinyl crackle, silence]
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