1 - Watching the Boars That We Thought Were Cows from a Distance

[Verse 1]
[Bass stem, warm round E two, whole notes only, locked soft brush dust]
[Clean electric guitar lead, half notes E four G sharp four B four, notes ring]
[Second clean guitar far left, arp E three B three E four, delay wet]
[Pad bed E major add nine, cloudy stereo narrow, under threshold]
[Lead vibrato light on held B four, space between phrases]
[Pure stems, distant field quiet, seventy two hold]

[Hook]
[Refrain cell B three to C sharp four to E four, half notes soft major lift]
[Clean guitar lead front, long reverb bloom, notes left to ring full bar]
[Bass holds E two then walks D two C sharp two B one then root lock soft]
[Pad blooms mild sixteen bars, level swap dissolve to guitar cell]
[Second guitar under lead muted eighths far right, high-pass air]
[Hook instrumental only, no vocal hook, no choir, no speech, no hum]
[Width haze soft then narrow return, float unbroken]

[Verse 2]
[Development stem, guitar lead adds F sharp four neighbor, resolve E four]
[Bass thins to dotted whole notes, space for reverb tail and delay slap]
[Pad opens filter one hair each eight bars, soft breathe, no hard riser]
[Harmony E major, C sharp minor, A major, B sus four, cycle then rest]
[Brush ghost left sparse, kick soft every other bar, room air right]
[Tape saturation warm, seventy two locked, instruments only]

[Bridge]
[Instrumental Break]
[Subtract stem, kick exits eight bars, clean guitars and pad alone]
[Lead whole-note chimes G sharp four B four E five, high thin soft]
[Bass disappears, soft wood tick sparse every eight bars only]
[Long reverb tail only, tape hiss under three percent]
[Rebuild: soft brush returns bar nine, bass root returns bar thirteen]
[Level swap dissolve from pad cloud to clean guitar cell]
[Hazy E major hold, pure instruments, no sung line, no speech]

[Hook]
[Refrain cell return B three C sharp four E four, same clean guitar lead]
[Bass walk same, pad mild bloom same, hook instrumental float]
[Width mild, soft dynamic breathe, no choir, no speech, no hum]
[Arp under lead soft delay, filter open half step sixteen bars]

[Verse 3]
[Subtract prep, second guitar exits, pad thins, lead every other phrase]
[Bass root whole notes E two, kick soft every other bar]
[Lead cell fragments B three E four only, rests dominate, notes ring]
[Twinkle last soft accent G sharp five, room air under two percent]
[Outro conduct, tonic E major lock, pure instruments only]

[Outro]
[Instrumental fade only, bass then pad then soft brush dust]
[Reverb tail last, stereo width collapse soft]
[Room blank, distant field dissolve]
[(fade)]

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[Instrumental] [Key E major soft center, seventy two BPM, four four slow float grid] [Instrumental only, no voice, no speech, pure stems] [Open cell: E two warm bass whole, B two fifth soft, G sharp three major third haze] [Clean electric guitar far front, long reverb lush tail, soft delay slap] [Soft brush kick sparse on one only, no snare crack, room air soft] [Tape hiss under two percent, low-pass warm soft] [Verse 1] [Bass stem, warm round E two, whole notes only, locked soft brush dust] [Clean electric guitar lead, half notes E four G sharp four B four, notes ring] [Second clean guitar far left, arp E three B three E four, delay wet] [Pad bed E major add nine, cloudy stereo narrow, under threshold] [Lead vibrato light on held B four, space between phrases] [Pure stems, distant field quiet, seventy two hold] [Hook] [Refrain cell B three to C sharp four to E four, half notes soft major lift] [Clean guitar lead front, long reverb bloom, notes left to ring full bar] [Bass holds E two then walks D two C sharp two B one then root lock soft] [Pad blooms mild sixteen bars, level swap dissolve to guitar cell] [Second guitar under lead muted eighths far right, high-pass air] [Hook instrumental only, no vocal hook, no choir, no speech, no hum] [Width haze soft then narrow return, float unbroken] [Verse 2] [Development stem, guitar lead adds F sharp four neighbor, resolve E four] [Bass thins to dotted whole notes, space for reverb tail and delay slap] [Pad opens filter one hair each eight bars, soft breathe, no hard riser] [Harmony E major, C sharp minor, A major, B sus four, cycle then rest] [Brush ghost left sparse, kick soft every other bar, room air right] [Tape saturation warm, seventy two locked, instruments only] [Bridge] [Instrumental Break] [Subtract stem, kick exits eight bars, clean guitars and pad alone] [Lead whole-note chimes G sharp four B four E five, high thin soft] [Bass disappears, soft wood tick sparse every eight bars only] [Long reverb tail only, tape hiss under three percent] [Rebuild: soft brush returns bar nine, bass root returns bar thirteen] [Level swap dissolve from pad cloud to clean guitar cell] [Hazy E major hold, pure instruments, no sung line, no speech] [Hook] [Refrain cell return B three C sharp four E four, same clean guitar lead] [Bass walk same, pad mild bloom same, hook instrumental float] [Width mild, soft dynamic breathe, no choir, no speech, no hum] [Arp under lead soft delay, filter open half step sixteen bars] [Verse 3] [Subtract prep, second guitar exits, pad thins, lead every other phrase] [Bass root whole notes E two, kick soft every other bar] [Lead cell fragments B three E four only, rests dominate, notes ring] [Twinkle last soft accent G sharp five, room air under two percent] [Outro conduct, tonic E major lock, pure instruments only] [Outro] [Instrumental fade only, bass then pad then soft brush dust] [Reverb tail last, stereo width collapse soft] [Room blank, distant field dissolve] [(fade)]

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