[INTRO – Reggae Steel Drums, soft Bongos, airy Tropical House texture, subtle didgeridoo drone, distant tribal chanting, hi-res HD production, melismatic Australian female vocals rich with timbre, soft breathy lead, low amplitude, intimate tone] Ooh Ooh Yeah, yeah [VERSE 1 – Reggae Steel Drums, Bongos, light Reggae House groove, warm Tropical House plucks, soft didgeridoo undercurrent, melismatic Australian female vocals rich with timbre, conversational delivery, low to medium amplitude, textured accented phrasing] I was falling, falling hard Trying to fix a broken heart Running circles in the dark Looking for a place to start [PRE-CHORUS – Rising Tropical House lift, wider steel drum layers, deeper Bongos, subtle tribal chanting, shimmering build, melismatic Australian female vocals, medium amplitude, emotional push, stronger resonance] Then the light came rushing in Right when I thought I’d never mend [CHORUS – Reggae House and Tropical House fusion, bright Steel Drums, fuller Bongos, huge pop lift, hi-res HD, belted Australian accented female pop vocals, rich timbre, stacked harmonies, high amplitude, massive hook delivery] Beautiful in the end Beautiful in the end All the hurt, all the tears Led me right here again Beautiful in the end Beautiful in the end I was broken, I was bent Still beautiful in the end [POST-CHORUS – Steel Drum refrain, Tropical House bounce, chopped vocal texture, melismatic Australian female vocals, medium to high amplitude, playful repeated hook] Beautiful in the end Beautiful in the end [VERSE 2 – Reggae Steel Drums, rolling Bongos, warm Reggae House pulse, didgeridoo texture, tribal chanting tucked low, melismatic Australian female vocals rich with timbre, medium amplitude, open emotional tone] Every crack, every scar Made me into who I am I was chasing something far Now I know just where I stand [PRE-CHORUS – Bigger Tropical House rise, layered Steel Drums, tension-building Bongos, vocal bloom, melismatic Australian female vocals, medium to high amplitude, lifted emotional phrasing] Then the light came rushing in Right when I thought I’d never mend [CHORUS – Reggae House and Tropical House fusion, bright Steel Drums, fuller Bongos, huge pop lift, hi-res HD, belted Australian accented female pop vocals, rich timbre, stacked harmonies, high amplitude, massive hook delivery] Beautiful in the end Beautiful in the end All the hurt, all the tears Led me right here again Beautiful in the end Beautiful in the end I was broken, I was bent Still beautiful in the end [DROP – Dubstep drops with heavy wobbling bass, distorted sub pressure, chopped Steel Drum stabs, tribal chanting bursts, didgeridoo growl, HD festival-scale sound design, wordless Australian female vocal chops, high amplitude impact] Oh-oh Oh-oh Beautiful, beautiful In the end [BRIDGE – Stripped Bongos, soft didgeridoo, airy Steel Drum echoes, minimal Tropical House atmosphere, melismatic Australian female vocals rich with timbre, low to medium amplitude, vulnerable tone growing upward] Ooh, I made it through somehow Ooh, and I can see it now Ooh, all the pain I carried then Still made me beautiful in the end [FINAL CHORUS – Biggest Reggae House and Tropical House lift, wide Steel Drums, driving Bongos, dubstep bass layered underneath, tribal chanting accents, hi-res HD, belted Australian accented female pop vocals, rich timbre, huge stacked harmonies, maximum amplitude, euphoric release] Beautiful in the end Beautiful in the end All the hurt, all the tears Led me right here again Beautiful in the end Beautiful in the end I was broken, I was bent Still beautiful in the end [OUTRO – Fading Steel Drums, soft Bongos, warm Tropical House air, distant didgeridoo, tribal chanting dissolving, melismatic Australian female vocals, soft amplitude, breathy emotional finish] Beautiful in the end Beautiful in the end Ooh In the end
