[Intro: sparse interlocking percussion only; a dry metallic 3:2 pulse and low electronic percussion establish the circular motion; no chordal instruments; distant dry female unison responses gradually enter] まわる まわる よるの ふちで いきを ひとつ おとして [Verse 1: intimate low female vocal, clearly sung but restrained; narrow repeating melody; dry nylon-string guitar joins as a syncopated rhythmic instrument, leaving wide negative space] まわる まわる ゆびの あいだ なにも つかまず ただ [Pre-Chorus: percussion briefly thins; a clean electric-guitar or glassy synth phrase answers the ends of vocal lines; the melody rises slightly without increasing vocal power; keep the atmosphere dry, nocturnal and distinctly urban] ここにいて まだ うごかないで しずけさの しん [Chorus: immediately memorable modern J-pop melody; wider vocal contour but soft controlled delivery; deep short sub-bass and clipped electronic kick enter without replacing the Afro-Brazilian cross-rhythm; dry unison responses behind selected words] めぐる めぐる このよるを ふたつの こどう すれちがう かさならない ままで ねえ いきをして まだ ここで [Post-Chorus: harmony drops away; restrained dry call-and-response over interlocking electronic percussion and short sub-bass pulses] （まわれ）まわれ （まわれ）まわれ [Verse 2: return to the sparse urban arrangement; close vocal, palm-muted clean electric guitar and isolated sub-bass pulses; a single thin sustained violin line enters quietly behind the vocal, dry and restrained, blending into the metropolitan texture rather than creating a dramatic lift] まわる まわる とけいの そと はりわ とうに とめた まわる まわる またたきの かず どこにも ゆかず ここで [Instrumental Turn: exactly 4 bars; no solo; palm-muted clean electric guitar, metallic 3:2 pulses and short sub-bass interlock beneath a smooth glassy synth counter-melody; thin violin lines continue alongside it, flowing horizontally with no swell or orchestral climax] [Final Chorus: fullest arrangement while remaining controlled and close; clear melodic J-pop hook, layered electronic percussion and precise 3:2 pulses; the existing thin violin line expands into a small dry string layer with gentle sustained counter-melodies, flowing behind the vocal without cinematic swells or dramatic orchestral lift] めぐる めぐる このよるを ふたつの こどう すれちがう かさならない ままで ねえ いきをして まだ ここで （まわれ まわれ） いきをして まだ ここ
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