WHAT ARE YOU DOING TONIGHT ?

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) dark hyperpop, lead rhythmic funky guitar, glamour trash club bass, suave female voice, Hard Bass, sharp dry vocal delivery, heavy distorted 808 bass, pitched vocal chops, glossy synth stabs, sparse trap percussion, latex production aesthetic, 130 BPM, dry mix no reverb cathedral

V5.5

[Verse 1] (half-spoken baritone, attitude, sitting on top of the beat)

Saw you across the room. You saw me first.
Pretending to text. Phone's been dead since Tuesday.
Cute outfit. Cute friends. Cute little hesitation.
I've been watching you watching me for an hour and a half.
Drink in my hand, not the one I came in with.
The bartender knows. The bartender always knows.

[Pre-chorus]

Don't act surprised when I walk over.
Don't act surprised when I don't.

[Chorus] (full delivery, drop hits, bass shakes the floor)

What are you doing tonight, what are you doing tonight,
what are you doing tonight, baby — say it.
What are you doing tonight, what are you doing tonight,
I already know the answer, baby — say it.
Liquid latex on my skin, I'm dripping in the light.
You came here to be ruined. So bite.

[Post-chorus]

To-night, to-night, oh-oh.
To-night, to-night, oh-oh.

[Verse 2]

Your boyfriend's at the bar. He's not your boyfriend anymore.
Your friends keep glancing over. Wave at them, sweetheart.
I don't do small talk. I do consequences.
Lipgloss on my collar already. Whose? Not your business.
I came alone. I don't leave alone. House rule.
Pick a side, baby. Pick a side or stand there.

[Pre-chorus]

Don't act surprised when I walk over.
Don't act surprised when I don't.

[Chorus]

[Post-chorus]

To-night, to-night, oh-oh.
To-night, to-night, oh-oh.

[Bridge Part 1 — The Room] (beat strips to slow bass throb, vocal close-mic, intimate and predatory)

Door closed. Lock turned. Your hands shaking, mine aren't.
On your knees. Not because I asked. Because you knew.
Latex on the floor. Cold against your cheek. Hotter against mine.
Sheets pulled. Lights down to red. Phone face down on the floor.
Tell me the thing you've never told anybody.
Now tell me a worse one.
Nobody is keeping score. Except me. I'm keeping score.
You don't get to look away. You don't get to close your eyes.
Watch me. Watch what you wanted.

[Rhythmic Spoken-Word Breakdown — EMM style] (beat becomes minimal — kick + sub-bass, vocal rapped/spoken in tight rhythmic patterns, almost chanted, slightly distorted female voice)

(rhythmic, spoken, escalating)
Wreck me, undress me, possess me, confess me.
Bless me, undress me, obsess me, undress me.
Wreck me, undress me, possess me, confess me.
Bless me, undress me, obsess me, undress me.
(beat ducks for a half-second, vocal drops lower)
I love it when you hate yourself for liking it.
I love it when you hate yourself for liking it.

[Bridge Part 2 — The Climax] (synths climb, distorted bass shakes, drums layer faster, vocal processed and ecstatic)

Higher. Higher. Don't stop.
Eyes on me. Eyes on me. Stay with me.
Higher. Higher. Don't stop.
Right there. Right there. Right there.
(beat explodes, vocal layers stack, controlled chaos)
Oh — oh — oh —
Oh — oh — oh —
(one sustained held note, almost a moan turning into a hymn)
Yes.

[Drop into final chorus — beat punches back hard, dark electronic drums, female gang vocals on the hook]

What are you doing tonight, what are you doing tonight,
what are you doing tonight, baby — confess.
What are you doing tonight, what are you doing tonight,
I already know the answer, baby — confess.
Liquid latex in the light, I'm wearing it like a sin.
You came here to be ruined. Let me in.

[Post-chorus x2]

To-night, to-night, oh-oh.
To-night, to-night, oh-oh.
To-night, to-night, oh-oh.
To-night, to-night, oh-oh.

[Outro] (beat fades to single bass pulse and distorted breath, vocal close-mic, dry and amused)

(spoken, dry) So.
(pause)
*What are you doing tonight?
(pause)
(spoken, even drier, almost smiling)
You already know.

3911/7500

[Verse 1] (half-spoken baritone, attitude, sitting on top of the beat) Saw you across the room. You saw me first. Pretending to text. Phone's been dead since Tuesday. Cute outfit. Cute friends. Cute little hesitation. I've been watching you watching me for an hour and a half. Drink in my hand, not the one I came in with. The bartender knows. The bartender always knows. [Pre-chorus] Don't act surprised when I walk over. Don't act surprised when I don't. [Chorus] (full delivery, drop hits, bass shakes the floor) What are you doing tonight, what are you doing tonight, what are you doing tonight, baby — say it. What are you doing tonight, what are you doing tonight, I already know the answer, baby — say it. Liquid latex on my skin, I'm dripping in the light. You came here to be ruined. So bite. [Post-chorus] To-night, to-night, oh-oh. To-night, to-night, oh-oh. [Verse 2] Your boyfriend's at the bar. He's not your boyfriend anymore. Your friends keep glancing over. Wave at them, sweetheart. I don't do small talk. I do consequences. Lipgloss on my collar already. Whose? Not your business. I came alone. I don't leave alone. House rule. Pick a side, baby. Pick a side or stand there. [Pre-chorus] Don't act surprised when I walk over. Don't act surprised when I don't. [Chorus] What are you doing tonight, what are you doing tonight, what are you doing tonight, baby — say it. What are you doing tonight, what are you doing tonight, I already know the answer, baby — say it. Liquid latex on my skin, I'm dripping in the light. You came here to be ruined. So bite. [Post-chorus] To-night, to-night, oh-oh. To-night, to-night, oh-oh. [Bridge Part 1 — The Room] (beat strips to slow bass throb, vocal close-mic, intimate and predatory) Door closed. Lock turned. Your hands shaking, mine aren't. On your knees. Not because I asked. Because you knew. Latex on the floor. Cold against your cheek. Hotter against mine. Sheets pulled. Lights down to red. Phone face down on the floor. Tell me the thing you've never told anybody. Now tell me a worse one. Nobody is keeping score. Except me. I'm keeping score. You don't get to look away. You don't get to close your eyes. Watch me. Watch what you wanted. [Rhythmic Spoken-Word Breakdown — EMM style] (beat becomes minimal — kick + sub-bass, vocal rapped/spoken in tight rhythmic patterns, almost chanted, slightly distorted female voice) (rhythmic, spoken, escalating) Wreck me, undress me, possess me, confess me. Bless me, undress me, obsess me, undress me. Wreck me, undress me, possess me, confess me. Bless me, undress me, obsess me, undress me. (beat ducks for a half-second, vocal drops lower) I love it when you hate yourself for liking it. I love it when you hate yourself for liking it. [Bridge Part 2 — The Climax] (synths climb, distorted bass shakes, drums layer faster, vocal processed and ecstatic) Higher. Higher. Don't stop. Eyes on me. Eyes on me. Stay with me. Higher. Higher. Don't stop. Right there. Right there. Right there. (beat explodes, vocal layers stack, controlled chaos) Oh — oh — oh — Oh — oh — oh — (one sustained held note, almost a moan turning into a hymn) Yes. [Drop into final chorus — beat punches back hard, dark electronic drums, female gang vocals on the hook] What are you doing tonight, what are you doing tonight, what are you doing tonight, baby — confess. What are you doing tonight, what are you doing tonight, I already know the answer, baby — confess. Liquid latex in the light, I'm wearing it like a sin. You came here to be ruined. Let me in. [Post-chorus x2] To-night, to-night, oh-oh. To-night, to-night, oh-oh. To-night, to-night, oh-oh. To-night, to-night, oh-oh. [Outro] (beat fades to single bass pulse and distorted breath, vocal close-mic, dry and amused) (spoken, dry) So. (pause) *What are you doing tonight? (pause) (spoken, even drier, almost smiling) You already know.

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