[Verse 1] [Sparse tubular bell overtones and glass harmonica hover above amplified concert-piano bass strings and a deep dub sub-bass drone. Two close female voices alternate a three-note cell; a rounded bass voice sustains the space beneath.] Mrii — lin — naamahaaa (Mruun — mraa-Mru-naaa) Mriin — lin — maaHaaaa (Mruun — mraa-Mru-naaa) [Interlock three-note and four-note loops; shift the accents while keeping a steady inner pulse. Slowly bending gong resonances and widening stereo motion reveal a luminous magnetic lattice.] Mhi-ri-mhi — mrin-naaaaa (Rim-zhi-mrin-na — haaaa) Mhin-rim-zhim — rin-na (mruum — mrm — naa - haaaa) [Let the upper voices overlap into a continuous halo; the bass remains smooth and immense.] Mhiriii — naaah (Mruuun — liii) Mhiriii — naaah (Mruuun — liii) [Verse 2] [Amplified concert-piano bass strings, pure dub sub-bass and deep tuned gong resonances form a dense sustained foundation. Close low voices repeat a compact cell; one thin high voice holds a silver harmonic.] Hum — mrm — dunnn (Niiin) Hum — mrm — dunnn (Niiin) [Compress the vocal spacing and add a low answering layer. The repeating cells become tightly packed; pressure grows through density and harmonic weight.] Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) [Release one deep bass drop, then hold the entire weight in a stable chord. A small luminous interval opens above the concentrated low voices.] Duuunnn — vruuummm (Niiii — liii) Duuunnn — vruuummm (Niiii — liii) [Verse 3] [Overlapping glass harmonica tones and long tubular bell resonances circle above a continuous dub sub-bass drone. Soft voices use flowing consonants and unbroken vowels, entering at slightly different points.] Vuu-li-ruu-li (Lii-ru-lii-vuu) Vuu-li-ruu-li (Lii-ru-lii-vuu) [Let the two loops drift gently in phase. Add one flowing syllable; overlapping voices create a slowly turning pattern while piano bass strings and gong overtones remain suspended.] Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) Vuu-li-ruu-li-ruu (Ruu-li-ruu-li-vuu) [Stretch the syllables across the slowly turning bell resonances. The choir swells quietly into a broad warm halo, then thins while the inner rotation continues.] Vuuuu — liii — ruuuu (Liiii — ruuu — vuuuu) Vuuuu — liii — ruuuu (Liiii — ruuu — vuuuu) [Verse 4] [Deep tuned gongs, amplified piano bass strings and rounded dub sub-bass hold the stellar weight. Two choirs answer from opposite sides; the original three-note signal returns in a brighter register.] Drii — lin — daa (Druun — raa) Drii — lin — daa (Druun — raa) [Add notes to the signal; rising tubular bell overtones and swelling glass harmonica tones gather beneath it. The answering choirs rise toward a shared luminous register.] Drii-lin-rin-daa (Rin-daa-drii-lin) Drii-lin-rin-dan-laa (Rin-dan-laa-drii-lin) Drin-ran-dan-laa (Lii-rin-lii-laa) Drin-ran-dan-laa (Lii-rin-lii-laa) [One enormous bass drop opens into an expansive resolved chord. Choirs unite in long radiant vowels; tubular bell resonances and amplified piano bass strings lift the phrase to its full height.] Driiii — raaann — daaa — LAAAII (Liiii — riii — laiii) Driiii — raaann — daaa — LAAAII (Liiii — riii — laiii) [Let choir and glass harmonica sustain the light; bells, gongs and sub-bass slowly recede while the distant pulse continues.] Drii — lin — daaaa (Liiii — laiii)
